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TYPE ONE: DISCIPLINE AND PROGRESS IN TYPOGRAPHY
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TYPE ONE: DISCIPLINE AND PROGRESS IN TYPOGRAPHY by Silja Bilz et al (eds.)
Typography today exists in conflict with classical font design and contemporary influences such as analog distortion, screen applications, street culture, deconstruction, hand lettering, and illustrative letterforms. Type One not only presents an overview of the diversity in current typography, but it also reveals where conventions have become established and where valid new approaches exist. In addition to a la...
Related newspaper, magazine, and journal articles from HighBeam Research
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TYPE ONE: DISCIPLINE AND PROGRESS IN TYPOGRAPHY
Step Inside Design
; TYPE ONE: DISCIPLINE AND PROGRESS IN TYPOGRAPHY by Silja Bilz et al (eds.) Typography today exists in conflict with classical font design and contemporary influences such as analog distortion, screen applications, street culture, deconstruction, hand lettering, and illustrative letterforms. Type
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Fashions come and go in Hebrew typography
Jerusalem Post
; ... such a burgeoning field that the recent hullabaloo in the Hebrew press over the hot new font, Vetto, is already as old as the news of the paper itself. Like many fashions in Israel, once a font has reached the mainstream, the trend and the trendy have migrated ...
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FontChameleon 1.0.1. (Software Review) (Ares Software font utility) (Evaluation)
Macworld
; Font Utility PROS: High-quality renditions of popular fonts; fonts can be customized; descriptor files are compact. CONS: No italics in current version (but will be offered soon). COMPANY: Ares Software Corporation (415/578-9090). LIST PRICE: $295. MW Rating Is it Berkeley Oldstyle, or is it Ares
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the good book: FROM ANNUALS TO MANUALS
Step Inside Design
; FRANK HEINE: TYPE &C. PERSONAL AND COMMERCIAL WORKS by Frank Heine Just as the title indicates, this book is a collection of font designs from 1988 to 2003, created by the author himself, the late Frank Heine. "The decision to make a picture book akin to an exhibition catalog, rather than a
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The West Rail signage system.(Brief Article)
Asia Pacific Rail
; ... of the grab poles in the central standing zones. The PIDs have active displays which show the forthcoming station as well as other passenger information such as weather. Line maps are posted above doors, with advertising panels above the windows.
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(book review)
Journal of the Royal Anthropological Institute
; DANET, BRENDA. Cyberpl@y: communicating online. xviii, 418 pp., tables, illus., bibliogr. Oxford, New York: Berg Publishers, 2001. [pounds sterling]42.99 (cloth), [pounds sterling15.99 (paper) This book is an attempt at presenting an ethnography of playful communication on the internet. Arguing
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The Legibility of Typefaces for Readers with Low Vision: A Research Review
Journal of Visual Impairment & Blindness
; Abstract: This article presents a systematic review of the research evidence on the effects of the characteristics of typefaces on the legibility of text for adult readers with low vision. The review revealed that research has not produced consistent findings and thus that there is a need to
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Design Congress Devoted to Visual Communication.
Korea Times (Seoul, Korea)
; An international forum bringing together the world's top graphic designers opens today at the Coex Convention Center in Samsung-dong, southern Seoul, to run until Friday. The ICOGRADA Congress, an annual event organized by the International Council of Graphic-Designers Association, will deal with
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The rhetoric of typography: The persona of typeface and text. (Applied Research).
Technical Communication
; ... 161-178. Tschichold, Jan. 1991. Graphic arts and book design 1958. In The form of the book: Essays on the morality of good design, tran. Hajo Hadeler, ed. Robert Bringhurst. Point Roberts, WA: Hartley and Marks, pp. 8-11. Warde, Beatrice. 1956a. The crystal goblet ...
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bruno maag: a life in type
Step Inside Design
; BRUNO MAAG DISCUSSES THE BUSINESS AND EMOTIONAL NUANCES OF GRAFTING A CAREER DESIGNING LETTERFORMS. No one who is good just dabbles in the typographic arts. As Erik Spiekermann once said, "You don't do type. You jive it." The problem is that just "living type" is not enough. Compromises and
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