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Telemann's The Day of Judgment at the Styriarte Festival
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Telemann's The Day of Judgment at the Styriarte Festival
Georg Philipp Telemann's great last Oratorio, Der Tag des Gerichts, is virtually never performed. A pity, for it readily confirms why the long-lived composer, who was Kantor in Hamburg was recognised by Bach as his true equal in 18th-Century Germany. Indeed, Telemann was godfather to Carl Philipp Emanuel Bach, who later succeeded him. Under these two composers Hamburg's music, sacred and secular alike, followed where Reinhard Kei...
Related newspaper, magazine, and journal articles from HighBeam Research
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Overtures
Fanfare
; TELEMANN Overtures, TWV 55: In D, D18; in G. "Burlesque de Quichotte," G10; In c. c2; in D, D4; In F, "Alster Ouverture," F:11; in B[musical flat]. "Volker Ouverture," B5; in d, d2; in Bk, b7; in a, a 4; in A, A4; in D, D23; in G, "Nations anciens et modernes," G4 * Patrick Peire cond; Collegium
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Another Telemann misattribution: Doubtfully bred
Musical Times
; IAN PAYNE offers evidence that an early double violin concerto attributed to Telemann is probably not by him OF NEARLY one hundred concertos with solo instrument(s) assigned to Georg Philipp Telemann (1681-1767) in Siegfried Kross's thematic catalogue, in only a few cases (for example, the flute
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Another Handel borrowing from Telemann?: Capital gains
Musical Times
; In the last of three articles IAN PAYNE revisits the two composers' pre-c.1725 Kunstlerfreundschaft THAT HANDEL enthusiastically borrowed and reworked musical ideas from the works of Telemann is well known.1 Although his borrowings from his lifelong friend and correspondent have been thoroughly
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Baroque Delights: `Pimpinone,' Telemann's Gem of an Opera
The Washington Post
; Bass-baritone John Ostendorf, who has one of the smaller roles in the Washington Opera's "Agrippina," is one of the notable specialists in 18th-century vocal music in this country - not only as a singer well attuned to the period's styles but also as a scholar. Both specialties are richly evident
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George Philipp Telemann. Zwolf Fantasien fur Violine solo.
Notes
; The two collections of music under review are products of the mid-1730s, perhaps the busiest period in Georg Philipp Telemann's career. In Hamburg, where he was employed from 1721 until his death in 1767, Telemann's duties included serving as Kantor at the Johanneum, directing the music at the
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