Nineteenth-century musical agogics as an element in Gerard Manley Hopkin's prosody

From: Comparative Literature | Date: January 1, 2000| Author: | Copyright information

CRITICS HAVE IN GENERAL found it difficult to assign Gerard Manley Hopkins (1844-89) a comfortable place in literary history.i His poetic style is so unusual and idiosyncratic that it seems to belong to the modern rather than Victorian era (tiles). Many critics have tried to place him, as H. Wendell Howard notes, "between particular literary practitioners and schools of thought before him and countless poets after him" (137), but, as E.E. Phare asserts, there is no group of poets with whom Hopkins is inevitably associated. "With whom shall we compare him?" she asks (2). On the other hand, ...

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