|
Trisha Brown: Dance and Art in Dialogue, 1961-2001
|
Trisha Brown's artistic collaborators take center stage
TRISHA BROWN: DANCE AND ART IN DIALOGUE, 1961-2001 New Museum 583 Broadway Through January 25
This provocative show mentions the museum's propinquity to Judson Memorial Church, where Trisha Brown launched her career. More to the point, the museum stands just a block north of the Soho loft where Brown has lived and worked for decades, so cheaply that she and several resident colleagues spent the bulk of their time plumbing t...
Related newspaper, magazine, and journal articles from HighBeam Research
|
Trisha Brown gets a little help from her friends
Chicago Sun-Times
; Trisha Brown doesn't dance alone. The modern dance choreographer is dedicated to the art of collaboration, often working on large-scale theatrical presentations with creative artists such as composer Alan Curran, visual artist Robert Rauschenberg, performance artist Laurie Anderson and filmmaker
|
|
Trisha Brown's Movement Style
Dance Spirit
; WHAT TO EXPECT FROM A CLASS AT THE TRISHA BROWN STUDIO IN NYC. Trisha Brown once said she preferred "the human way" of moving, and that this was the approach she took to dancemaking. While the scope of her works and their locations have varied through the years-she's placed dancers on rooftops and
|
|
Cultivated form
The Village Voice
; For Trisha Brown, a Rose Is Never Just a Rose few Fridays ago, Mikhail Baryshnikov joined Trisha Brown in her studio to learn You Can See Us, a duet he'll perform with her at the Brooklyn Academy of Music on October 1. As Brown demonstrated a series of steps, Baryshnikov remarked, "Oh, it's like a
|
|
Structure, dance flow hand in hand for Trisha Brown
The Milwaukee Journal Sentinel
; Structure, dance flow hand in hand for Trisha Brown Everyday movement -- running, walking, falling, climbing -- was the stuff of post-modernism, the late '60s dance thinking that countered the glamour of ballet and the emotional excess of mid- century modern dance. Its venue was in the storefronts
|
|
(dance reviews)
The New Leader
; TRISHA BROWN'S EMPTY FLASHES YOU CAN GO a whole season without thinking about how a choreographer gives meaning to a dance. Then a curtain goes up, the dancers start moving, and the question is squarely in front of you. The choreographer isn't leading your eye in a productive way; costumes and
|
|
ART FORMS CONVERGE INTO A TERRIFFIC TRIBUTE TO A DYNAMIC FORCE IN DANCE.(What's Happening)
Seattle Post-Intelligencer (Seattle, WA)
; Byline: REGINA HACKETT P-I art critic Two days before opening in Naples, Trisha Brown couldn't find the lost-in-transit sets Nancy Graves designed for her. Fortunately, Robert Rauschenberg had tagged along, and there's nothing he likes better than an art emergency. He rented a truck, and the rest
|
|
The masonry of movement.
The Boston Herald
; Trisha Brown Dance Company at the Emerson Majestic Theatre, Boston, last night. A bstract choreographer Trisha Brown once described herself as a bricklayer with a sense of humor, and it's actually quite an apt metaphor. Though her work is crafted with layers of finely chiseled movement
|
|
FAST START HAS NEW STONEHILL COACH FEELING RIGHT AT HOME BROWN BROUGHT HER WINNING TRADITION
The Boston Globe
; EASTON - Perhaps the most important decision in life is realizing what one truly wants and having the courage to go after it. Too many people settle for less than that. Ask Trisha Brown, the new women's basketball coach at Stone hill College. A decade ago Brown walked into the gym at Walpole High
|
|
At 71, Trisha Brown takes a graceful bow
International Herald Tribune
; Claudia La Rocco The New York Times Media Group International Herald Tribune 02-06-2008 At 71, Trisha Brown takes a graceful bow Byline: Claudia La Rocco The New York Times Media Group Edition: 1 Section: FEATURES The British choreographer Antony Tudor once asked Martha Graham if she wanted to be
|
|
Trisha Brown layers improvisation, structure.
The Boston Herald
; Trisha Brown Company at the Emerson Majestic Theatre, Boston, Thursday; through tonight. Abstract choreographer Trisha Brown once described herself as a bricklayer with a sense of humor, and it's an apt metaphor. Though her work is crafted with layers of finely chiseled movement conscientiously
|