THE ENDANGERED ARTIST IN THE MALERDRAMEN OF HERMANN SUDERMANN AND GERHART HAUPTMANN AUMLA : Journal of the Australasian Universities Modern Language Association | November 1, 2008| | Copyright AUMLA Nov 2008. Provided by ProQuest LLC. (Hide copyright information) Copyright

A common thread running through the Künstlerdrama from Goethe's Torquato Tasso well into literary modernism is the depiction of the artist enmeshed in a crisis of productivity. Hermann Sudermann and Gerhart Hauptmann both provide variations on this central theme in their Malerdramen,1 whilst fully cognisant as playwrights of the limited degree to which the stage can at once externalise the artist's inner conflict and present it dramatically.2 At best, they furnish snapshots of their artist figures at a decisive crossroad in their lives.

I propose to interrogate via close readings of ...

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