Fantasy in f, op. 49. Waltzes: in D[musical flat], op. 64/1; in A[musical flat], op. 64/3; in c#, op. 64/2; in A[musical flat], op. 69/1. Ballade No. 4 in f, op. 52. Nocturnes: in c#, op. posth.; in F, op. 15/1; in F, op. 15/2; in B, op. 32/1. Étude in G[musical flat], op. 10/5. Andante spinato and Grande polonaise, op. 22. Preludes: in C, op. 28/1; in A, op. 28/7; in g, op. 28/22; in d, op. 28/24

From: Fanfare | Date: November 1, 2007| Author: | Copyright information

CHOPIN Fantasy in f, op. 49. Waltzes: in D[musical flat], op. 64/1; in A[musical flat], op. 64/3; in c#, op. 64/2; in A[musical flat], op. 69/1. Ballade No. 4 in f, op. 52. Nocturnes: in c#, op. posth.; in F, op. 15/1; in F, op. 15/2; in B, op. 32/1. Étude in G[musical flat], op. 10/5. Andante spinato and Grande polonaise, op. 22. Preludes: In C, op. 28/1; in A, op. 28/7; in g, op. 28/22; in d, op. 28/24 * Earl Wild (pn) * IVORY 77002 (74:54)

These recordings were made on a Baldwin piano in 1981 when the pianist was merely in his sixties. (He would win a Grammy for a recording celebrating ...

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Fantasy in f, op. 49. Waltzes: in D[musical flat], op. 64/1; in A[musical flat], op. 64/3; in c#, op. 64/2; in A[musical flat], op. 69/1. Ballade No. 4 in f, op. 52. Nocturnes: in c#, op. posth.; in F, op. 15/1; in F, op. 15/2; in B, op. 32/1. Étude in G[musical flat], op. 10/5. Andante spianato and Grande polonaise, op. 22. Preludes: in C, op. 28/1; in A, op. 28/7; in g, op. 28/22; in d, op. 28/24
; CHOPIN Fantasy in f, op. 49. Waltzes: in D[musical flat], op. 64/1; in A[musical flat], op. 64/3; in c#, op. 64/2; in A[musical flat], op. 69/1. Ballade No. 4 in f, op. 52. Nocturnes: in c#, op. posth.; in F, op...
Polonaises: in c#, op. 26/1; in e[musical flat], op. 26/2; in c, op. 40/2; in A[musical flat], op. 53; Fantaisie-impromptu in c#, op. 66; Impromptus: in A[musical flat], op. 29; in F#, op.36; in G[musical flat], op. 51
; CHOPIN Polonaises: in c#, op. 26/1; in e[musical flat], op. 26/2; in c, op. 40/2; in A[musical flat] op. 53; Fentaisie-impromptu in c#, op. 66; Impromptus: in A[musical flat], op. 29; in F#, op.36; in G[musical flat...
Piano Sonatas: in E[musical flat], op. 11/1; in B[musical flat], op. 1a/2; in g, op. 7/3; in E[musical flat], op. 9/3; in A, op. 10/1
; CLEMENTI Piano Sonatas: in E[musical flat], op. 11/1; in B[musical flat], op. 1a/2; in g, op. 7/3; in E[musical flat], op. 9/3; in A, op. 10/1 * Susan Alexander-Max (fp) * NAXOS 8.557695 (71:49) Considering...
Woodwind Quintets: in B[musical flat], op. 56/1; in g, op. 56/2; in F, op. 56/3; in G, op. 67/1; in e, op. 67/2; in E[musical flat], op. 67/3; in A, op. 68/1; in F, op. 68/2; in d, op. 68/3. Piano and Wind Quintets: in d, op. 41; in F, op. 53; in D, op. 54
; DANZI Woodwind Quintets: in B[musical flat], op. 56/1; in g, op. 56/2; in F, op. 56/3; in G, op. 67/1; in e, op. 67/2; in E[musical flat], op. 67/3; in A, op. 68/1; in F, op. 68/2; in d, op...
Clarinet Quintet in B[musical flat], op. 95. Clarinet Quartet in E[musical flat], op. 69. Pieces for 2 Clarinets and Viola, op. 47
; KROMMER Clarinet Quintet in B[musical flat], op. 95. Clarinet Quartet in E[musical flat], op. 69. Pieces for 2 Clarinets...and career. The Quintet, op. 95, is a full-scale four-moveme...tonally (an Adagio in B[musical flat]. Minor) and rhythmically...
Prelude in c#, op. 45. Polonaise-Fantaisie in A[musical flat]. Nocturnes: in D[musical flat], op. 27/2; in B, op. 62/1; in B, op. 62/2. Ballade in f, op. 52. Sonata in b, op. 58
; CHOPIN Prelude in c#, op. 45. Polonaise-Fantaisie in A[musical flat]. Nocturnes: in D[musical flat], op. 27/2; in B, op. 62/1; in B, op. 62/2. Ballade in f, op. 52. Sonata in b, op. 58 * Nicolas Stavy (pn) * PARATY 207103 (74:50) What is striking...
Violin Sonatas: in g, "Didone abbandonata"; in c, op. 1/8, B c2; in F, op. 1/2; in F, op. 1/12; in g, "Devil's Trill"; in D, B D19; in B[musical flat], B B[musical flat]1; in A, "sopra lo stile che suona il Prete dalla Chitarra Portoghese"; in B[musical flat], op. 5/6. Pastorale in A, op. 1/13
; ...op. 1/2; in F, op. 1/12; in g, "Devil...in D, B D19; in B[musical flat], B B[musical flat...Portoghese"; in B[musical flat], op. 5/6. Pastorale...sonatas" (B D19 and op. 5/6); "a simpler, more elegant one (B B[musical flat]1); and a highly...
Piano Trios: in B[musical flat], op. 21; in g, op. 26. SUK Elegy in D[musical flat], op. 23
; DVORK Piano Trios: in B[musical flat], op. 21; in g, op. 26. SUK Elegy in D[musical flat], op. 23 * Florestan Tr * HYPERION 67572 (67:42...attractive coupling of Dvork's two earlier trios (op. 21 and op. 26). Like most of Dvork's chamber music...
String Quartets: No. 13 in B[musical flat]; No. 14 in c#
; ...flat] key signature, but in C[musical flat]-an implied resolution) and...mosso e moderato section in G[musical flat] (the source for the resolution...producer). The Shanghai's op. 130 loses its balance and...in G (after movements in B[musical flat], B[musical ...
String Quartets: No. 7 in F, op. 59/1, "Razumovsky"; No. 8 in e, op. 59/2, "Razumovsky"; No. 9 in C, op. 59/3, "Razumovsky"; No. 10 in E[musical flat], op. 74, "Harp"; No. 11 in f, op. 95, "Serioso"
; BEETHOVEN String Quartets: No. 7 in F, op. 59/1, "Razumovsky"; No. 8 in e, op. 59/2, "Razumovsky"; No. 9 in C, op. 59/3, "Razumovsky"; No. 10 in E[musical flat], op. 74, "Harp"; No. 11 in f, op. 95, "Serioso" * Orion Str Qrt * KOCH 7681 ( 3 CDs...