Aspects of William Byrd's musical recusancy

Musical Times | October 1, 2007| | Copyright

IT HAS LONG BEEN CLEAR that the texts of many motets in Byrd's 1589 Camiones sacrae carry hidden meanings portraying the plight of contemporary English Catholics and, indeed, offering consolation for their suffering. Of particular importance in this respect is an article by Craig Monson published in 1997, 'Byrd, the Catholics, and the motet'.1 Building on the pioneering work of Joseph Kerman,2 who had first explored the political overtones of many of the motets, Monson shows how Byrd's choice of texts was closely linked to contemporary recusant books and pamphlets, of which no fewer than 225 ...

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