Renaissance Drama

Understanding in the Elizabethan Theaters

Renaissance Drama | January 1, 2006 | Copyright

Why, stand-under and under-stand is all one.

-Launce, Two Gentlemen of Verona

IN THE AUTUMN of 1599, Thomas Platter, a Swiss medical student on a tour of Europe, went to see a play about Julius Caesar at one of London's playhouses. Another day he saw a play in which suitors from several countries wooed a young woman (the English suitor ran off with her, Platter notes plaintively, after the victorious German suitor got drunk and fell asleep). He seems to have been as intrigued by the layout of the playhouses as by the performances:

The places [örter, sc., where comedies…

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