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Sex and the Empire That Is No More: Gender and the Politics of Metaphor in Oyo Yoruba Religion
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Sex and the Empire That Is No More: Gender and the Politics of Metaphor in Oyo Yoruba Religion. By J. Lorand Matory. second edition. New York and Oxford: Berghahn Books, 2005. Pp. xliii, 295; 18 figures. $25.95 / £17.00 paper.
This second edition of the seminal Sex and the Empire That Is No More by J. Lorand Matory seems more salient in retrospect as the international interest in orisha worship and the meaning of transatlantic aesthetics that claim a Yoruba ancestry increases. This ne...
Related newspaper, magazine, and journal articles from HighBeam Research
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Mapping Yorùbá Networks: Power and Agency in the Making of Transnational Communities
The International Journal of African Historical Studies
; Mapping Yorb Networks: Power and Agency in the Making of Transnational Communities. By Kamari Maxine CIarke. Durham: Duke University Press, 2004. Pp. xxix, 345. $22.95 paper. In Oyotunji Village, South Carolina, residents speak Yoruba, respect the rule of an oba, and practice the religion of the
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Journey Through the Land of Revolutions
Caribbean Today
; Johnston, Elizabeth Caribbean Today 04-30-2000 Journey Through the Land of Revolutions My first article for Caribbean Today, written in 1994, was about an artist from Cuba, Nelson Franco. Franco, one of the most charismatic Cuban artists in Miami today, at that time lived in an efficiency apartment
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Shekere Center: A little bit of Africa on Flatbush Avenue
New York Amsterdam News
; New York Amsterdam News 03-31-1999 Shekere Center: A little bit ... centers and schools. She told the Amsterdam News, "They can come here on school trips and ... available. Article copyright The Amsterdam News ...
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Manipulating The Sacred: Yoruba Art, Ritual, and Resistance in Brazilian Candomble.(Book review)
African Arts
; Manipulating The Sacred Yoruba Art, Ritual, and Resistance in Brazilian Candomble by Mikelle Smith Omari-Tunkara Detroit: Wayne State University Press, 2005. 208 pp., 44 b/w and 36 color illustrations, glossaries, bibliography, index. $29.95 softcover. In Manipulating the Sacred: Yoruba Art,
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FROM CUBA, WITH LOVE STAGE ARTISTS FROM HAVANA TEACH YOUNG RAINIER VALLEY ACTORS THE JOYS OF RACIAL TOLERANCE.(Life and Arts)
Seattle Post-Intelligencer (Seattle, WA)
; Byline: JOE ADCOCK P-I theater critic Xiomara Calderon is black. She is also Hispanic. Just the person to foster tolerance and mutual appreciation in a society where blacks and Hispanics have an uneasy record that includes resentment and even gang warfare. Calderon, a Cuban, is a theater director.
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MEDIA WATCH: `New York Undercover' insults Yoruba religion
New York Amsterdam News
; Abiola Sinclair New York Amsterdam News 04-15-1995 MEDIA WATCH: `New York Undercover' insults Yoruba religion. Perhaps it was too good to be true, a New York-based action ...
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The Gantt Report
Westside Gazette
; Yorubas in Miami, the State of Florida and around the world are saddened by the passing of Chief Apesin Araba. Chief Silo Crespo, Apesin Araba of Lagos, was a resident of the Overtown community in Miami Dade County. Recognized worldwide as the Apesin Araba of Lagos, Baba Omi Ademi, Chief Silo
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New Chief in town
Miami Times
; Gantt, Lucius Miami Times 08-28-2001 New Chief in town He received his initiation into the Yoruba Culture in 1971. After an extensive period of study and preparation, Crespo traveled to Lagos, Nigeria in the year 2000, where he received his designation as Chief in order to continue his development
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Scientology, Yoruba in tribute to ancestors
The Weekly Gleaner
; Priests of the Yoruba religion joined with clergy of the Church of Scientology Harlem and other diverse groups, in the Opening Ceremony of the 33rd Annual International African Arts Festival. In tribute to our ancestors, libation was poured by each time followed by praise singing. The ceremony
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(book reviews)
Journal of the Royal Anthropological Institute
; This is an innovative ritual history of the Rendering of power relations in the former Oyo Empire and its current practices in the possession cults in Igboho, an Oyo North town in Nigeria where the author did fieldwork during the 1980s. Matory introduces this study with the hypothesis that the Oyo
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