|
Metropolitan Opera broadcast of April 19, 1997: Eugene Onegin
From:
Opera News
| Date:
April 19, 1997| Author:
Hamilton, David
| Copyright Metropolitan Opera Guild, Incorporated Apr 19, 1997. Provided by ProQuest LLC.Copyright information
|
THE STORY
ACT I. With her devoted servant Filippyevna, the widowed Mme. Larina sits making jam in the garden of her country estate. Her daughters, Olga and Tatyana, sing a love song that reminds the older women of days gone by ("Slykhali vy za roshei gas"). Peasants coming from the fields bring freshly cut hay for their mistress and celebrate the completion of the harvest with songs and dances ("Uzh kak po mostu mostochku"). Olga taunts Tatyana for failing to enjoy the festivities ("Y...
Related newspaper, magazine, and journal articles from HighBeam Research
|
Ballet's glorious `Onegin'
The Boston Globe
; ONEGIN Performed by Boston Ballet At: the Wang Center last night. The production repeats, with changing casts, through Feb. 16 More than anything else, it's the momentum of "Onegin" that makes the ballet masterful -- the unstoppable story that starts out languid and ends in a race, and the sweep of
|
|
Tragedy, triumph and `Onegin' Boston Ballet reprises a contemporary classic
The Boston Globe
; negin" is a double tragedy. First, there is its soul-crushing finale, when the heroine summons every shred of her strength to reject the man who once rejected her. Second, there is the real-life tragedy of the creator of this ballet version of Alexander Pushkin's "Eugene Onegin," the most revered
|
|
Peak performances CLASSICAL Eugene Onegin LSO/Davis
The Sunday Telegraph London
; The only time the Glyndebourne production of Eugene Onegin (by Graham Vick, revived for this season by Ron Howell and Jacopo Spirei) overplays its hand is in the Polonaise scene, but even here the camped-up ballet parody of the venality of St Petersburg court life is contained when the whole chorus
|
|
Dance; `Onegin': Stuttgart's Shining Standby
The Washington Post
; The Stuttgart Ballet saved its best for last, with distinctly salutory results. Thursday night at the Kennedy Center Opera House the troupe gave the first of four performances of John Cranko's full-length "Eugene Onegin," the last of three programs it has brought for its fortnight's stay. The
|
|
Boston Ballet tells the story of `Onegin'
The Boston Globe
; The ballet world of the last half-century has been dominated by abstract, plotless works, thanks to the towering influence of George Balanchine. Relatively few choreographers have created narrative ballets in this period. The notable exceptions have often come from Britain, the land of Shakespeare
|