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COLLAGE GROUP FINDS MAGIC IN THE MUSIC
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In the 1950s and '60s a still small voice kept telling Nicholas
Maw, "Don't go there." There, in this instance, was the range of
hermetic styles his professional colleagues had vanished into.
As it turned out, the music he did write was met with puzzlement
or even hostility. What Maw had set about doing was to re-imagine a
kind of music - color-saturated, emotionally generous, technically
demanding - that had been swept away by the modernist upheavals of
the early 20th century.
...
Related newspaper, magazine, and journal articles from HighBeam Research
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`La Vita Claire' takes a wild ride at BCA
The Boston Globe
; LA VITA CLAIRE Play in two acts by Bill Lattanzi Directed by Jon Blackstone. Set, Kristie Thompson. Lighting, Karen Perlow. Sound, Ben Arons. Costumes, Kristin Loeffler. Produced by Centastage Performance Group At: Boston Center for the Arts, through May 22 According to "La Vita Nuova (The New Life
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 "Daily Record (Glasgow, Scotland)")
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Italian La Vita; 161 Queen Street 0141 248 3533.(Features)
Daily Record (Glasgow, Scotland)
; TOURISTS trailing through George Square might mistake Glasgow for Italy when they taste the amazing food of Italian restaurant La Vita. On a prime corner of George Square, this stylish eatery could easily compete with any of the bustling restaurants in the centre of Rome. Some might say you have to
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Going Out: Cracking the Code is easier; EATING OUT: La Vita THE MENU AT THIS BISTRO IS SO VAST TAM COULD READ A BESTSELLER IN LESS TIME.(Features)
Daily Record (Glasgow, Scotland)
; Byline: TAM COWAN TRYING to find somewhere for a quick bite to eat at lunchtime? Don't even think about the Glasgow city centre pizzeria La Vita. Listen, it took me less time to rattle through The Da Vinci Code than it did to read this Italian bistro's mouth- watering menu. Half expecting to
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Ancient and the modern in Dante's Vita nuova.
Renascence: Essays on Values in Literature
; DANTE'S Vita nuova has long been regarded as a quintessentially medieval work. It was for example a favorite inspiration of idealistic Pre-Raphaelite artists during the second half of the nineteenth century. This essay fully agrees that what Dante called his little book is medieval but not that the
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Ancient and the modern in Dante's Vita Nuova
Renascence
; DANTE'S Vita nuova has long been regarded as a quintessentially medieval work. It was for example a favorite inspiration of idealistic Pre-Raphaelite artists during the second half of the nineteenth century. This essay fully agrees that what Dante called his "little book" is medieval but not that
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