|
'DIAGHILEV'S DESIGNERS' A RAVISHING EXHIBIT
|
Diaghilev's Designers: The Serge Lifar Collection of
Ballet Set and Costume Designs
At the Wadsworth Atheneum, Hartford, Conn., through Sept.
25.
HARTFORD - In 1929, Serge Diaghilev, the great impresario who
had astonished the West with the blazing colors and fiery dancing
of the Ballets Russes, died in Venice, a city as glamorous as his
own life had been. In 1933, a large collection of set and costume
designs created for Diaghilev by artists from ...
Related newspaper, magazine, and journal articles from HighBeam Research
|
'DIAGHILEV'S DESIGNERS' A RAVISHING EXHIBIT
The Boston Globe
; Diaghilev's Designers: The Serge Lifar Collection of Ballet Set and Costume Designs At the Wadsworth Atheneum, Hartford, Conn., through Sept. 25. HARTFORD - In 1929, Serge Diaghilev, the great impresario who had astonished the West with the blazing colors and fiery dancing of the Ballets Russes,
|
|
Diaghilev plays Hartford A spectacular show recalls the glory of the Ballets Russes
The Boston Globe
; ... still been up, the Lifar collection might have been the focus of one of those tricky art restitution controversies so much in the news nowadays. No speculation is needed on Lifar's role in the war, though. He was, Garafola writes, proud to be a Nazi collaborator ...
|
|
The art of Big Daddy
The Spectator
; SPEAKING OF DIAGHILEV by John Drummond Faber,L20.00, pp.357 Some years ago a radio play of mine, The False Diaghilev, was reviewed on Kaleidoscope by the ballet critic Clement Crisp, who did not greatly care for it. 'But surely,' the interviewer said, 'Bowen has sources for all this?' 'I know his
|
|
A catalyst of genius
The Independent - London
; It is a little naughty of the Barbican Centre to claim that its recently opened Art Gallery show Diaghilev: Creator of the Ballets Russes is the first major exhibition to celebrate his achievements. This post- war London schoolboy, at any rate, has never forgotten the magic of the great Diaghilev
|
|
Charmer, charlatan, patron, genius
The Independent - London
; Sergei Pavlovich Diaghilev (1872-1929) had a badger-stripe of white in his dark hair, giving him a look of Susan Sontag and Bride of Frankenstein. In the portraits of the great Russian impresario that you find dotted around "Diaghilev: Creator of the Ballets Russes" at the Barbican, this feature
|
|
Speaking of Diaghilev.
The Economist (US)
; SPEAKING OF DIAGHILEV. By John Drummond. Faber and Faber; 404 pages; K20 FOR 20 years after it began in 1909, Diaghilev's Ballets Russes was a fountainhead that nourished modernism in all the arts. The company evaporated with the death of its creator in 1929 but the effects of its extraordinary
|
|
Book review / A heavyweight who always won on pointes
The Independent - London
; Diaghilev died in 1929. In 1967 John Drummond persuaded 22 Ballets Russes survivors to speak about him on film. Thirty years on, Drummond has transcribed their interviews for a book, which thus represents a double time-warp. It begins oddly, with a series of swipes at long-dead BBC colleagues who
|
|
Looking at red letter days for ballet; The Ballets Russes and its World. Edited by Lynn Garafola and Nancy van Norman Baer (Yale, pounds 30). Reviewed by Richard Edmonds.
The Birmingham Post (England)
; Some years ago during an interview with Dame Ninette de Valois, I asked her to define Diaghilev's Ballets Russes in which company she had once been a dancer. She thought for a moment and then said: It was the greatest travelling art exhibition Europe had ever seen. You had the art of the composer,
|
|
Prokofiev's Ballets for Diaghilev.(Book review)
Notes
; Prokofiev's Ballets for Diaghilev. By Stephen D. Press. Burlington, VT: Ash-gate, 2006. [xvii, 294 p. ISBN 0-7546-0404-0. $99.95.] Illustrations, music examples, bibliography, index. From specialists in Russian music to devotees of ballet, most music lovers are acquainted to at least some degree
|
|
The human comedy
The Spectator
; Hogarthian' is standard reviewers' slang for a particular tiresome 18th-century rumbustiousness; but I wish it were possible to rescue the word, make it mean something closer to Hogarth's own alluring, veiled, postponing genius. If Hogarth was just a hearty, rude fellow, painting pictures of drunks
|