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'GISELLE' IS A JOY
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BOSTON BALLET -- In "Giselle," at the Wang Center for the
Performing Arts, last night. Choreography by Leonid
Lavrovsky after Jean Coralli and Jules Perrot. Music by
Adolphe Adam. Repeats, with cast changes, through Oct. 11.
Giselle" is as hardy as its heroine is frail. Each generation
finds something to like in this most durable remnant of the
mid-19th-century French style, a ballet about a sweet peasant girl
who is betrayed by a nobleman in di...
Related newspaper, magazine, and journal articles from HighBeam Research
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'GISELLE' IS A JOY
The Boston Globe
; BOSTON BALLET -- In "Giselle," at the Wang Center for the Performing Arts, last night. Choreography by Leonid Lavrovsky after Jean Coralli and Jules Perrot. Music by Adolphe Adam. Repeats, with cast changes, through Oct. 11. Giselle" is as hardy as its heroine is frail. Each generation finds
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Harlem's Lifeless 'Creole Giselle'
The Washington Post
; Dance Theatre of Harlem hadn't danced the full-length "Creole Giselle" -- its relocated version of the romantic ballet "Giselle" -- in eight years, and it shows. While there were some nice moments in the company's opening-night performance of the ballet Tuesday at the Kennedy Center Opera House,
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A round robin of leading roles in `Giselle'
The Boston Globe
; Boston Ballet is giving four couples the chance to dance the leading roles in the production of "Giselle" that opens the company's 28th season and runs through Sunday at the Wang Center. Trinidad Sevillano and Patrick Armand, the opening night couple reviewed here previously, tackled the roles of
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Dance;Bolshoi's Bloodless `Giselle';At Wolf Trap, Heroine Is Unconvincing
The Washington Post
; What good is a "Giselle" without a Giselle, without, that is, a dramatically convincing heroine? The answer is, not much, as we found out the hard way Friday night with the first of the Bolshoi Ballet's three scheduled lead casts at Wolf Trap. Despite more than a century of carefully cultivated
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Romancing 'Giselle'
The Washington Post
; GETTING TO THE CORE of a 19th-century romantic ballet such as "Giselle" is as challenging for a choreographer as finding a fresh point of view for a new production of, say, Shakespeare's "Hamlet." So says Septime Webre, artistic director of the Washington Ballet, who has been doing just that for
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BALLET'S 'GISELLE' FILLED WITH ENCHANTING SPIRITS.(Living)
The Cincinnati Post (Cincinnati, OH)
; Byline: Jerry Stein Post arts writer In this week when witches walk and the dead seem to dwell near during the observances of Halloween, All Saints Day and All Souls' Day, the Cincinnati Ballet plans to give audiences the wilis and a few other dance treats. This weekend, the company opens its
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St Petersburg's Giselle sensitive to its drama.(News)
The Sunday Independent (South Africa)
; Dymchik Saykeev, whose version of Giselle this is, does something in the role of Hilarion that sums up the diligent subtlety of the production. Giselle, having discovered that the aristocrat Count Albrecht has been, as they used to say, trifling with her affections, goes mad rather than getting mad
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Becoming Giselle
Pointe
; By Natalia Makarova One of the great ballerinas of the 20th century, Natalia Makarova now works her magic through the dancers of another generation. Of the many roles that Natalia Makarova danced in her stellar career, Giselle became her signature. Though she retired in 1989, she recently made the
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A BOW, WITH MOTION, TO `GISELLE' TRADITION AN UNDERSTATED, TRADITIONAL END TO `GISELLE'
The Boston Globe
; If an efficiency expert were reviewing the first act of American Ballet Theatre's "Giselle," it would get high marks indeed. In last night's opening of a five-performance Boston run the dancers conveyed the story clearly, with more elaborate mime than in most modern productions of this survivor of
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A disappointing `Giselle'
The Boston Globe
; GISELLE Performed by Boston Ballet At: the Wang Center last night. Production continues, with changing casts, through Oct. 11 One of the more interesting moves a ballet director can make is casting against type, which is what Boston Ballet artistic director Anna-Marie Holmes did in giving last
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