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EMMANUEL MUSIC ENDS 7-YEAR SCHUBERT SERIES IN STYLE
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On Sunday, Emmanuel Music brought its seven-year, 53-concert
exploration of the songs, piano music, and chamber music of Schubert
to a glorious close with yet another memorable afternoon.
The program at the C. Walsh Theatre offered some of Schubert's
most beloved works - the song "The Shepherd on the Rock" and the
great, final piano Sonata in B-flat - alongside less familiar music
that is no less remarkable in melody, harmony, and emotional
atmosphere. Some of the songs on texts by Jo...
Related newspaper, magazine, and journal articles from HighBeam Research
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EMMANUEL MUSIC CLOSES SCHUBERT PROGRAM ON HIGH NOTE
The Boston Globe
; Emmanuel Music brought the fifth year of its seven-year survey of the piano, vocal, and chamber music of Schubert to a close Sunday. There was only one "famous" piece on the program, "Die Taubenpost," the last song Schubert wrote, but all of the music was interesting and most of it came from the
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Emmanuel picks up where Schubert left off
The Boston Globe
; EMMANUEL MUSIC SCHUBERT SERIES With Robert Levin (piano and speaker), Sarah Roth (violin), Mary Ruth Ray (viola), and Emmanuel Feldman (cello) At: C. Walsh Theatre, Suffolk University, Boston, Sunday afternoon Had Schubert's life not been so short, what might have been? That's not an idle question,
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SCHUBERT SERIES PUTS THE ACCENT ON DRAMA
The Boston Globe
; Emmanuel Music's Schubert Series attracts a devoted audience interested in musical values; in intermission conversations one can hear accents from Germany and Central Europe. The series is in its sixth year, and by the time it concludes next season, it will have presented most of Schubert's piano
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EMMANUEL PICKS UP WHERE SCHUBERT LEFT OFF
The Boston Globe
; Had Schubert's life not been so short, what might have been? That's not an idle question, Robert Levin was showing us Sunday afternoon in a newsy and enlivening concert by Emmanuel Music. Of the more than 100 incomplete works Schubert left behind, few could in truth be regarded as abandoned, as
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HARMONIC CONVERGENCE THREE BARITONE STARS GATHER FOR EMMANUEL MUSIC OPERA
The Boston Globe
; When EMI made the first and only complete recording of Schubert's opera "Alfonso und Estrella" 25 years ago, the company engaged the three most prominent German baritones of the period: Dietrich Fischer- Dieskau, Hermann Prey, and Theo Adam. When Craig Smith was casting the work for its Boston
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