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Paul Flamand, Publisher
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Paul Flamand, the co-founder of one of the biggest French
publishing houses, Editions du Seuil, has died. He was 89.
Flamand, who died Tuesday, and Jean Bardet founded Editions du
Seu...
Related newspaper, magazine, and journal articles from HighBeam Research
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Obituary: Paul Flamand
The Independent - London
; PAUL FLAMAND founded his publishing house, Les Editions du Seuil, in 1935, but it was after the Second World War that it achieved its celebrity as one of the most eminent and innovative of French imprints. He ran it with a combination of talents rare for an independent publisher: good taste, an
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Bonner exile memoirs due in fall
Chicago Sun-Times
; NEW YORK Soviet dissident Yelena G. Bonner's memoirs about the chilling isolation of internal exile in the Soviet Union will be on bookshelves this fall, it was announced yesterday. The book will be published simultaneously in the United States and six other countries. The U.S. publisher is Alfred
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Transmission problems: memory, community and the republican idea in contemporary France.
Journal of European Studies
; In recent years, Editions du Seuil have published a series of small volumes aimed at a wide audience and bearing such titles as La Republique expliquee a ma fille or L'Amour de la France explique a mon ills. Well-known novelists, historians and philosophers have been enrolled in a attempt to fill
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Guerre sainte, jihad, croisade: Violence et religion dans le christianisme et l'islam
The Catholic Historical Review
; Guerre sainte, jihad, croisade: Violence et religion dans le christianisme et l'islam. By Jean Flori. (Paris: Editions du Seuil. 2002. Pp. 342. Paperback.) In this timely and useful survey, Professor Flori offers a comparative study of the character and development of the idea of holy war in
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Del Lungo, Andrea. L'Incipit romanesque.(Book review)
Nineteenth-Century French Studies
; Del Lungo, Andrea. L'Incipit romanesque. Paris: Editions du Seuil, Collection Poetique 2003. Pp. 377. ISBN 2020571803 It was a dark and stormy night Few subjects lend themselves to such scrutiny in criticism--aesthetic and philosophical, thematic and formal, stylistic and rhetorical--as literary
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