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Chuck Close, the Big Picture; The Artist's New Perspective After the 'Event' of a Lifetime
From:
The Washington Post
| Date:
February 22, 1998| Author:
Paula Span
| Copyright 1998 The Washington Post. This material is published under license from the Washington Post. All inquiries regarding rights should be directed to the Washington Post.Copyright information
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In Chuck Close's studio, half a dozen portraits sit propped
against the walls, staring at the man who made them. There's his
daughter Maggie, over by the desk, and sculptor John Chamberlain,
looking thoughtful on the side wall. Close's painter pal Mark
Greenwold gazes out from a vast canvas near the stairs. Like a stack
of other paintings already crated or shrouded in bubble wrap,
they're waiting to be trucked uptown to the Museum of Modern Art.
Thirty years' worth of work is bei...
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GETTING CLOSE AN EXHIBIT OF PRINTS PROVIDES A CLEAR VIEW OF THE ARTIST'S PROCESS
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; ANDOVER Everybody loves Chuck Close. Look at his giant portraits, and first you see the daunting scale, the super-saturated tones. Then the buildup of tiny increments into a luridly fascinating whole. The faces have an awful nakedness that comes from the artist's decision to apply uniform attention
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GETTING CLOSE EXHIBIT OPENS SUNDAY OF MONROE NATIVE'S FAMOUS PORTRAITS.(LIFESTYLE)
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; Byline: Kevin Lynch The Capital Times CORRECTION: Due to incorrect information in the exhibition catalog, an article in Friday's LifeStyle on artist Chuck Close incorrectly stated his birthplace as Monroe, Wis. He was born in Monroe, Wash. An exhibit of Close's prints is running at the Madison
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