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Precision in passion
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Philharmonia Orchestra/Rachmaninoff ** Royal Festival Hall
R ACHMANINOFF, like Puccini, has done well out of the war of
taste. If modernism had delivered on its brave new world, would
works like the Rhapsody on a theme of Paganini or the one-act opera
Francesca da Rimini (the second and much rarer work in last night's
Philharmonia programme) seem quite so superficially delicious?
Rachmaninoff's Paganini variations display unerring skill, and
contain just enough touches of dramatic diversion, like the Dies Irae
reference.
Pianist Mikhail Pletnev was classically tasteful and elegant - and ...
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