Art: The Midas Touch The great 19th-century painter Jean-Auguste-Dominique Ingres, himself an ardent and excessive man, endowed his subjects with supreme self-confidence in their wealth, their health and their sexuality. An exhibition of his iconic portraits opens in London this month

The Independent - London | January 3, 1999| | Copyright

THE FIRST impression that one receives from the magnificent exhibition of Ingres portraits at the National Gallery is of unabashed frontality. Clear, candid and vivacious eyes gaze out to meet one's own, without hauteur or false modesty.

The second impression is of an infinitely more benign painter than many of Ingres' pronouncements would lead one to expect. The third impression is of a painter who grew up in a recognisably Romantic ambience, never experiencing the longing and dissatisfaction that afflicted many of his great contemporaries, but who was powerfully aware of a young man's ...

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