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Ins and outs of Scottish Highland dancing
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Why isn't La Sylphide performed more often? Created in 1832 by
Filippo Taglioni to showcase his daughter Marie's revolutionary
pointe- work, the ballet was reworked in 1836 by the Danish
romantic Auguste Bournonville and it is this version that usually
survives today. Or does it? You can see it regularly in Paris or
New York or Copenhagen, but this jewel of the romantic repertoire
hasn't adorned the London stage since ENB last did it in 1989.
Scottish Ballet are currently touring with a produ...
Related newspaper, magazine, and journal articles from HighBeam Research
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Ashley's dancing world of glamour LINDA ROBERTSON meets the man who's made Scottish Ballet cool
Evening Times
; IT'S set to be Scottish Ballet's most glamorous production yet . . . a dazzling, dramatic and decadent reworking of Cinderella. With magical sets and sexy costumes by renowned designer, Antony McDonald, the fairy tale is transported to a "Westwood meets Warhol- style" 18th century France, making it
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The Scottish Arts Council started out trying to cut the number of Scottish orchestras. It's ended up trying to cut Scottish Ballet as well. John Percival begs them all to think again
The Independent - London
; "A bunch of bastards." Such language, applied (even unattributably) to a client company by one of the top brass at a recent meeting of the Scottish Arts Council, is shocking enough, but what came next is worse. Not only has Scottish Ballet, the object of that anonymous vituperation, been refused
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Minister to settle ballet dispute
The Sunday Herald
; The row over Scottish Ballet may move towards resolution next week, with culture minister Lord Mike Watson due to speak at a parliamentary meeting on its future. He is to attend a meeting of the influential education, culture and sport committee on Tuesday, to respond to its investigation into
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Scottish ballet on last lap of appeal to pay for base
Press and Journal, The Aberdeen (UK)
; Television presenter Kirsty Wark yesterday launched a pounds1million appeal to help finalise a new home for Scottish Ballet. The sum is needed to complete a base for the award-winning national dance company in Glasgow. It is being established at the Tramway arts centre on the city's south side,
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Letter: Funding the future of Scottish Ballet
The Independent - London
; Sir: I cannot allow John Percival's account of the Scottish Arts Council's role in the debate over the future of Scottish Ballet ("He who pays the piper", 26 July) to stand unchallenged. We are, believe it or not, a relatively civilised organisation, and have spent our time trying to find ways of
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