Verdi's Requiem: Nothing Sacred; On Centennial, Exploring Myths Behind the Music

The Washington Post | January 21, 2001| | Copyright

If a requiem looms large among a composer's works, especially one written near the end of his or her life or in a morbid frame of mind, it inevitably becomes an unofficial, autobiographical epitaph. Mozart's Requiem is interpreted as Mozart on the subject of Mozart's death; and Verdi's Requiem, which the Washington Opera will perform at Constitution Hall on Saturday, is in danger of becoming Verdi on the subject of Verdi's death.

It isn't, and it's a romantic conceit even in the case of Mozart to read a requiem as anything more than a setting of the Catholic liturgy for the dead. But with ...

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