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Tom's just too good Michael Mann's thriller may have the looks, but Cruise lacks the deepdown darkness to pull it all together
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COLLATERAL ***
Cert 15, 120 mins
IT DOESN'T matter whether Michael Mann directs Al Pacino in The
Insider, Robert De Niro in Heat, Will Smith in Ali, or even Daniel
Day-Lewis in The Last of the Mohicans.
He can produce, executive produce, screen-write, hell, I don't
even care if he does the catering on location. So far as I'm
concerned, he will for ever remain a guy who thinks raw electric
guitar chords, a rock beat and a racing car are the cool epitome of
the filmic art...
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Coriolanus.(Theater review)
Daily Variety
; (Eisenhower Theater, Washington, D.C.; 1,110 seats; $78 top) A Kennedy Center presentation of a Royal Shakespeare Company production of a play in two acts by William Shakespeare. Directed by Gregory Doran. Sets and costumes, Richard Hudson; original lighting, Tim Mitchell; lighting recreation,
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Forms of Collective Violence: Riots, Pogroms and Genocide in Modern India.(Critical essay)
Pacific Affairs
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Friedman and Russia.(Milton Friedman)
The Cato Journal
; One day I asked Milton Friedman a question. That question was in my mind every time we met: Could he have achieved the same status he did in America if he had lived in Russia--not only in terms of his research, but in shaping his outlook on life and in his understanding of freedom? Having kept
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Human rights, limited government, and capitalism.
The Cato Journal
; By and large, there are two distinct intellectual traditions in social theorizing. One is normative. It addresses how people should live or how the social order should be arranged. Much of the human fights discourse belongs to this tradition. The other tradition attempts to analyze the world as it
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