For Peter Martins, Past Is No Yoke; Carrying Balanchine's Torch Proves Vexing for the NYCB Director [ Corrected: 03/02/04 ]

The Washington Post | February 29, 2004| | Copyright

In the costume shop of the New York City Ballet hang some of the only tangible remnants of past dance performances: the duchess silk satin gowns of George Balanchine's romantic "Liebeslieder Waltzer," the stiff, pert, somewhat dingy red-and-white tutu of his "Tarantella" duet.

For the sake of these and other well-worn confections, the wardrobe staff wages a constant war against time. Over the years, as colors drain away from the original creations, remaking them in the original palette is one of the shop's chief projects.

What is happening to the costumes is a metaphor for what some say is ...

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