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An Uneasy Brush With Modernism; Uncertainty Marks Milton Avery's Art, But of Its Impact There's Little Doubt
From:
The Washington Post
| Date:
February 15, 2004| Author:
Blake Gopnik
| Copyright 2004 The Washington Post. This material is published under license from the Washington Post. All inquiries regarding rights should be directed to the Washington Post.Copyright information
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At the media preview of the Milton Avery exhibition that opened
yesterday at the Phillips Collection, there was a fascinating moment
early in the show. A sketchbook from the 1930s had been installed in
a glass vitrine. On one page, it showed a fairly standard life-
drawing of a female nude. On the facing page, however, there was
another nude that was a real eye-opener. This time, the naked woman
had been shown in the coarsest outline drawing, full of radically
willful distortions of space an...
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