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Opera Noir's 4th Annual Juneteenth Gala; Celebrating the Artistry of Leontyne Price, Eubie Blake and Fats Waller
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Los Angeles Sentinel
06-23-2004
Can the worlds of 19th and 20th century opera, jazz and blues co-exist with
the 21st century's urban, hip-hop? More importantly, will today's youth
ever get a chance to experience the beauty and diversity of those genres
beyond the incessant din of BET, MTV and reality television? If J. Rosalynn
Smith-Clark has something to say about such a seemingly dichotomous mixture
of musical cultures, the answer is a resounding "...
Related newspaper, magazine, and journal articles from HighBeam Research
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Wells Fargo Presents Opera Noir at Walt Disney
Los Angeles Sentinel
; Los Angeles Sentinel 03-23-2005 A vision can create the most extraordinary circumstances and set into motion a phenomenon that endures for a lifetime. Opera Noir is one of those visions and has become a significant presence on the Los Angeles cultural landscape. Recognizing its dedication to
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Don't Forget the Women.(African American female college students)(Brief Article)
Black Issues in Higher Education
; With so much media attention focused on the plight of young African American males, I fear that the experiences and challenges African American females face often go unnoticed. This seems to be especially true for those attending predominantly White institutions. As a follow-up to my article, Where
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African American mayors on the rise doing fine
Chicago Defender
; How are cities and towns today fairing under African American mayors? The 1980's and 1990's brought new leadership and African American political empowerment throughout the country with the election of Maynard Jackson (Atlanta), Dennis Archer (Detroit) and of course, Harold Washington in Chicago.
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African American Men in College
Journal of College Student Development
; African American Men in College Michael J. Cuyjet (Ed.) and Associates San Francisco: Jossey Bass, 2006, 357 pages, $38.00 (hardcover) Over the last two years, there appears to be an emergence of interest in the topic of African American males in education. Surprisingly, this interest has not only
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Postmodernism, traditional cultural forms, and the African American narrative: Major's Reflex, Morrison's Jazz, and Reed's Mumbo Jumbo
Novel
; African American writers since at least the 1960s have attempted to engage textually the limitations of Enlightenment reason, the violence of what Enrique Dussel calls the "myth of modernity," the representation of the African American as Other than reason, and the postmodern African American
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