|
These Tricks Are Not Just for Kids; A New Translation of Eliezer Shtaynbarg's Fables Offers Strange, Haunting Reading; The Jewish Book of Fables
|
Forward
04-23-2004
Eliezer Shtaynbarg (1880-1932) taught children Yiddish and Hebrew and wrote
and directed plays for them in his native Bessarabia. Learned in biblical
and Talmudic literature, he also edited a Yiddish magazine of the arts,
Kultur, and maintained at least some connections with writers of literature
for adults, including Hayyim Nahman Bialik of Odessa, who championed
Shtaynbarg's work during his lifetime. But the writing for which Sht...
Related newspaper, magazine, and journal articles from HighBeam Research
 "Rocky Mountain News (Denver, CO)")
|
`FABLES' FALLS SHORT ON AMUSEMENT.(Entertainment/Weekend/Spotlight)(Review)
Rocky Mountain News (Denver, CO)
; Byline: Thom Wise Rocky Mountain News Theater Critic Fables Grade: C- An international collaboration conceived, written, directed and designed by Pavel Dobrusky and ...
|
|
|
FRACTURED FABLES DENVER CENTER SHOW FLAUNTS ITS LACK OF MORALS.(Entertainment/Weekend/Spotlight)
Rocky Mountain News (Denver, CO)
; Byline: Alan Dumas Rocky Mountain News Staff Writer Many of those who were read Aesop as kids came to believe that a fable is a story that has a moral attached. The early ...
|
|
Not Aesoppy at all - his fables were filthy
The Independent - London
; Aesop's Fables, far from being children's stories, were coarse, violent and cruel. David Lister, Arts News Editor, reports on a new book that discovers 100 missing fables and causes us to revise our judgement on one of history's greatest ...
|
|
Fifty More Fables of La Fontaine
The Virginia Quarterly Review
; Fifty More Fables of La Fontaine, translated by Norman Shapiro. Shapiro is most successful with the fables that deviate least from Greco-Roman objectivity, linear organization, and insistence on eternally recurring traits. But when his source texts are most Lafontainian-skeptical or epicurean in
|
|
Ten fables of the novel in French of the 1990s. (Currents).
World Literature Today
; J. M. G. Le Clezio, Onitsha (Gallimard, 1991) Eric Chevillard, La Nebuleuse du crabe (Minuit, 1993) Linda Le, Calomnies (Bourgois, 1993) Eric Laurrent, Coup de foudre (Minuit, 1995) Jacques Jouet, La Montagne R (Seuil, 1996) Marie NDiaye, La sorciere (Minuit, 1996) Jean Echenoz, Un an (Minuit,
|
|
Teaching children well through fables
Honolulu Star - Bulletin
; EVER since she was 7, Leslie Ann Hayashi dreamed of writing a book with her best friend, Kathleen Wong Bishop. It finally happened last year -- a mere 37 years later -- when the University of Hawai'i Press published "Fables from the Garden," written by Hayashi and illustrated by Bishop, who learned
|
|
Fables in the classroom: motivating middle school writers with learning disabilities.
Academic Exchange Quarterly
; ... visual organization strategies (e.g., story frames, semantic maps, etc.) to aid in reading comprehension and growth as writers ... discussion, using graphic organizers, such as pyramids or story maps, and displaying student work for peer feedback are some of the ...
|
 "Western Mail (Cardiff, Wales)")
|
Children take centre stage in innovative theatre production; SHERMAN: Whole new dimension added to Aesop's Fables.(Features)
Western Mail (Cardiff, Wales)
; Byline: KAREN PRICE AN innovative theatre production for young children which encourages them to watch from the stage rather than the auditorium will return to Cardiff next week. The ground-breaking show Aesop's Fables has been created by Cardiff-based Sherman Theatre Company for children aged six
|
|
`Aesop's Fables' get modern twist
Chicago Sun-Times
; `Aesop's Fables' Through Dec. 15 Raven Theatre, 6931 N. Clark $5; group discounts offered (773) 338-2177 Parents often try to interject little sermons into conversations with their children. Getting to the moral of the story without their eyes glazing over is a real skill. Right now, a trio of
|
|
Tsunami contrasts its `Fables' action.(D)(Arts & Entertainment)(Theater)
The Washington Times
; Byline: Sue Beving Tsunami Theatre Company's Fables in Three Movements provides unusual, almost exotic, entertainment but jolts the audience with the contrasting starkness of its middle movement. The second fable is Samuel Beckett's Rough for Theatre I, the story of a blind man with a violin and a
|