mental illness
mental illness A disputed concept (see for example the entries elsewhere in this dictionary on Laing and anti-psychiatry) founded on the everyday contrast between mind and body which, when applied to illness, generates an opposition between two contrasting types of illness–mental and physical. Mental illnesses are illnesses characterized by the presence of mental pathology: that is, disturbances of mental functioning, analogous to disturbances of bodily functioning. Like physical illness the concept is, therefore, fundamentally evaluative and linked to issues of
social control and regulation. The disturbances of thought and feeling that characterize mental illness, such as delusions, hallucinations, excessive elation, or
depression, are often associated with behaviour that is considered bizarre, awkward, disruptive, or disturbing. It is this disturbed and disruptive behaviour that, more than anything else, leads to mental illness being treated as a very distinctive form of illness, requiring special services and attention. What seems to be particularly problematic within society is the apparent irrationality and loss of reason that mental pathology involves. Mind and reason are the distinctive hallmarks of human beings, and their loss (full or partial), if not taken to be a sign of supernatural powers, is generally viewed as profoundly disturbing and threatening. Mental illness is therefore usually more
stigmatizing than other forms of illness (obvious exceptions are diseases such as AIDS, other sexually transmitted diseases, and to a lesser extent cancer).
Historically, the medical concept of mental illness has its basis in lay judgements of mental states, which were embodied in notions such as insanity and lunacy–real madness–as well as in concepts such as ‘troubled in mind’, ‘mopish’, and ‘distracted’, which encompassed the less severe forms of psychological disturbance. Then as now these terms were applied to persons whose behaviour seemed in some way inexplicable or irrational. Deviant or delinquent it might be, but it could not be understood as readily as the usual forms of
delinquency, often because it involved a rejection of what was highly valued in society. Present-day medical conceptions of mental illness are still intimately linked to lay judgements of what is rational, reasonable, and appropriate. However,
psychiatry has embraced and transformed the everyday lexicons, classifying and listing a diverse set of mental illnesses. These range from conditions such as Alzheimer's disease, which are known to involve brain pathology, through the archetypical mental illnesses such as schizophrenia and manic depression (which belong to the group of psychoses), to conditions such as anxiety states, phobias, and obsessions (frequently termed neuroses), as well as to the so-called behaviour disorders such as alcoholism, anorexia nervosa, drug addiction, and sexual deviations.
Psychiatrists' lists of mental illnesses provide a formal specification of the boundaries of mental illness, however the boundaries are changing and contested. The distinction between mental illness and physical illness is itself highly problematic. It is most obviously made in terms of manifest pathology, but is often not clear-cut, with many illnesses having mental and physical symptoms; once we turn to causes the distinction is even more problematic and the idea of two mutually exclusive categories of illness soon founders. An identifiable mental pathology may well have physical causes, as in the case of Alzheimer's disease; equally, some physical pathologies such as ulcers have mental causes (as the concept of
psychosomatic illnesses allows). Indeed, the interrelation of mental and physical has frequently been used to justify attempts to integrate mental health services with other health services. In practice, where the boundary is set between mental and physical illness is a matter of convention, and depends on ideas about causation as well as on the extent of the manifest mental and behavioural problems.
The boundary between mental illness and
deviance (‘madness and badness’) is equally problematic, especially in relation to behaviour or personality disorders, where symptoms are very obviously behavioural. Analytically the distinction is one of referent: mental illness is a judgement of mind, deviance one of behaviour. However, since observations of behaviour are the basis for judgements of mind, in practice confusions and difficulties arise. Here, as on its other margins, changing conventions are involved in determining the boundaries between the two, as in the increasing tendency to see child abuse less as a form of deviance than as indicative of underlying mental pathology. Finally, there is the boundary between what is normal and abnormal mental functioning. Again this boundary is largely set by changing conventions, and as with other boundaries its location also varies from individual to individual, according to social background and circumstances.
Ideas about the causes of mental illness vary. Psychiatry, by virtue of medicine's emphasis on physical processes, has focused on physical causes and treatment and given them primacy, frequently and mistakenly seeing physical explanations as precluding the necessity for any examination of the place of psychological and social factors. In contrast, a number of sociologists and social theorists have made significant contributions to the understanding of the social causes of mental illnesses, as for example in the case of George Brown and Tirril Harris's work on depression, or feminist analyses of anorexia nervosa.
However, the sociological contribution to the understanding of mental illness also derives from the analysis of mental illness as a social construct. This construct, as is noted above, sets the boundaries of normal, acceptable mental functioning in different cultures and societies, and as such is part of the social regulation of human conduct. See also
COMMUNITY CARE;
SICK ROLE.
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Dietrich Fischer-Dieskau: A Biography
Magazine article from: The American Music Teacher; 12/1/1998; ; 700+ words
; Dietrich Fischer-Dieskau: A Biography, by Hans A. Neunzig Amadeus Press (133 S...renditions of Schubert's Der Erlkonig is the recording by Dietrich Fischer-Dieskau. After capturing the listener with his rich tone, he heightens...
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Dietrich Fischer-Dieskau: Verzeichnis der Tonaufnahmen.(Review)
Magazine article from: Notes; 12/1/2000; ; 700+ words
; Dietrich Fischer-Dieskau: Verzeichnis der Tonaufnahmen. By Monika Wolf. Tutzing...2000. [xi, 539 p. ISBN 3-7952-0999-4. DM 92.] Dietrich Fischer-Dieskau: Verzeichnis der Tonaufnahmen (Catalog of Sound Recordings...
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Classic Archive: Dietrich Fischer-Dieskau: Die schöne Müllerin/The Mastersinger-Lesson III
Magazine article from: Journal of Singing; 3/1/2007; ; 700+ words
; Classic Archive: Dietrich Fischer-Dieskau: Die schne Mllerin. Dietrich Fischer-Dieskau, baritone; Christoph Eschenbach, piano. "Das Wandern," "Wohin?" "Halt!" "Danksagung an den Bach," "Am Feierabend," "Der Neugierige...
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Dietrich Fischer-Dieskau: THE ART OF DIETRICH FISCHER-DIESKAU
Magazine article from: Opera News; 11/1/2005; ; 700+ words
; Dietrich Fischer-Dieskau * THE ART OF DIETRICH FISCHER-DIESKAU Opera scenes and arias by Mozart, Puccini, R. Strauss, Reimann; lieder by Beethoven, Schubert, Schumann, Wolf, R. Strauss, Mahler. Various orchestras, Bohm, Fricsay...
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Dietrich Fischer-Dieskau: Autumn Journey; A Franz Schubert Recital
Magazine article from: Opera News; 9/1/1999; ; 595 words
; Dietrich Fischer-Dieskau: Autumn Journey; A Franz Schubert...Bruno Monsaingeon's 1995 documentary Dietrich FischerDieskau: Autumn Journey, the...which was given to me." Fischer-Dieskau lived up to his personal artistic credo...
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The Art of Dietrich Fischer-Dieskau.
Magazine article from: Opera Canada; 11/1/2005; ; 608 words
; THE ART OF DIETRICH FISCHER-DIESKAU DG 00440 073 4050 (2 DVDs) The distinguished German baritone, Dietrich Fischer-Dieskau, marked his 80th birthday on May 28, 2005. To celebrate...
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Der liedermeister: classical music. (Dietrich Fischer-Dieskau)
Magazine article from: The Economist (US); 10/12/1991; 700+ words
; ...singing partner was the legendary baritone Dietrich Fischer-Dieskau. Mr Fischer-Dieskau, at 66, still records seven or eight albums...slight Asian cast to his features, Mr Fischer-Dieskau is the ultimate Berlin mandarin. His recently...
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A German for all occasions: Dietrich Fischer-Dieskau.(baritone quits singing at 67, debuts as pianist)
Magazine article from: The Economist (US); 3/4/1995; 700+ words
; ...fine painter. But this month Dietrich Fischer-Dieskau, who finally quit singing in...piano accompanist, Mr Fischer-Dieskau will play Brahms's "Liebeslieder...a piano player, Mr Fischer- Dieskau will be better remembered for...
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Brazil's Gilberto Gil and German singer Dietrich Fischer-Dieskau win 2005 Polar Music Prize
News Wire article from: AP Worldstream; 10/25/2004; ; 541 words
; ...Gil and German romance singer Dietrich Fischer-Dieskau were named the 2005 winners of...culture minister, and Fischer-Dieskau will each receive 1 million kronor...The 79-year-old Fischer-Dieskau is considered the premiere master...
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Jessye Norman, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau
Magazine article from: Opera News; 1/1/2001; ; 593 words
; ...Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau "ERLKONIG: THE ART OF THE...billing on the cover is unfair; Dietrich FischerDieskau sings first and...is illuminating. Fischer-Dieskau, captured at his ultra-sensitive...
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Dietrich Fischer-Dieskau
Book article from: The Columbia Encyclopedia, Sixth Edition
Dietrich Fischer-Dieskau , 1925-, German baritone. Possessed...of range and expression, Fischer-Dieskau is one of the foremost singers of German...farewell concert in 1992. Fischer-Dieskau has also been active as a conductor...
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Fischer-Dieskau, Dietrich
Book article from: World Encyclopedia
Fischer-Dieskau, Dietrich (1925– ) German baritone. One of the foremost operatic singers of the 20th century, and an outstanding...
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Sawallisch, Wolfgang
Encyclopedia entry from: Encyclopedia of World Biography
...career as an accompanist to classical singers, performing and recording with such stars of German vocal art as Dietrich Fischer-Dieskau and Elisabeth Schwarzkopf; he made his debut in London as an accompanist to Schwarzkopf in 1955. But his career...
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Vision of St Augustine, The
Book article from: The Concise Oxford Dictionary of Music
Vision of St Augustine, The. Setting of Lat. text for bar., ch., and orch. by Tippett , comp. 1963–5. F.p. London 1966 by Dietrich Fischer-Dieskau, LSO and LSO Ch. cond. Tippett.
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Moore, Gerald
Book article from: The Concise Oxford Dictionary of Music
...Schwarzkopf (with whom he made his Salzburg Fest. début, 1954), Victoria de los Angeles , Janet Baker , Dietrich Fischer-Dieskau , and others. Made many records. Wrote several books, incl. The Unashamed Accompanist (1943, rev. 1957...
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