Suzman, Janet
The Concise Oxford Companion to the Theatre
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1996
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© The Concise Oxford Companion to the Theatre 1996, originally published by Oxford University Press 1996. (Hide copyright information)
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Suzman, Janet (1939– ), South African-born actress who has made an outstanding reputation for herself in England, mainly with the
RSC, which she joined in 1962 after making her first appearance on the stage earlier the same year in Ipswich in Keith Waterhouse and Willis
Hall's Billy Liar. She was first seen in London in
The Comedy of Errors, and came into prominence with her embattled Joan La Pucelle in
Henry VI in 1963. A modern role in
Pinter's The Birthday Party (1964) was followed by an impressive gallery of Shakespeare's heroines—Portia in
The Merchant of Venice and Ophelia in
Hamlet (both 1965), Katharina in
The Taming of the Shrew (1967), Rosalind in
As You Like It, and Beatrice in
Much Ado about Nothing (both 1968), her Katharina and Beatrice both being seen also in the USA. In 1972 she scored a striking success as Cleopatra in
Antony and Cleopatra, endowing the character with vocal strength, voluptuousness, and a mettlesome intellect; in the same year she also played Lavinia in
Titus Andronicus. She gave a sensitive performance as a dilapidated South African whore in Athol
Fugard's Hello and Goodbye in 1973. Outside the RSC, she played Masha in Jonathan
Miller's production of
Chekhov's Three Sisters in 1976, and a year later was seen in
Brecht's The Good Woman of Setzuan at the
Royal Court and in
Ibsen's Hedda Gabler. She returned to the RSC in 1980 as Clytemnestra and Helen in
The Greeks, based mainly on
Euripides' Trojan plays. She appeared in Fugard's
Boesman and Lena at
Hampstead in 1984, as
Racine's Andromache at the
Old Vic in 1988, and in Ronald Harwood's
Another Time (1989). She was formerly married to Trevor
Nunn.
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