Albery Theatre
The Concise Oxford Companion to the Theatre
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1996
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© The Concise Oxford Companion to the Theatre 1996, originally published by Oxford University Press 1996. (Hide copyright information)
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Albery Theatre, London, in St Martin's Lane, seating 900, built for Charles
Wyndham, who opened it in 1903 as the New Theatre with a revival of
Parker and Carson's
Rosemary, after which it settled down to a consistently successful career. From 1905 to 1913 Fred
Terry and Julia
Neilson occupied it for a six-month annual season, and many of their most successful plays were seen there, including Baroness Orczy's
The Scarlet Pimpernel (1905). The theatre also housed an annual revival of
Barrie's Peter Pan for several years. Among outstanding productions have been a dramatization of Louisa M. Alcott's
Little Women (1919), in which Katharine
Cornell made her only London appearance; A. A. Milne's
Mr Pim Passes By (1920); and Shaw's
Saint Joan with Sybil
Thorndike (1924). A year later came the long run of Margaret Kennedy's
The Constant Nymph, which saw the first appearance of John
Gielgud at a theatre where he later appeared in Gordon Daviot's
Richard of Bordeaux (1933),
Hamlet (1934),
Romeo and Juliet and Obey's
Noah (both 1935). Among later productions were
The Taming of the Shrew (1937), O'Neill's
Mourning Becomes Electra (1938) and
Priestley's Johnson over Jordan (1939) with Ralph
Richardson. After the bombing of the
Old Vic and
Sadler's Wells, the New became the London headquarters of both companies in 1941. Sadler's Wells withdrew in 1944 and the Old Vic in 1950, in which year T. S.
Eliot's The Cocktail Party began a successful run. The theatre housed a series of excellent plays, including Dylan Thomas's
Under Milk Wood (1956) and Ray
Lawler's Summer of the Seventeenth Doll (1957). In 1960 Lionel
Bart's Oliver!, a musical based on
Dicken's Oliver Twist, began a run of several years. (Another long run began in 1977.) In 1973 the theatre changed its name to honour its former manager, Bronson
Albery.
Shaffer's Equus was transferred there from the
National Theatre in 1976. The musical
Pal Joey (1980) transferred from the
Fringe and Mark Medoff's
Children of a Lesser God (1981) from the
Mermaid. The musical
Blood Brothers began a long run in 1988.
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