Rhiannon
A Dictionary of Celtic Mythology
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2004
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© A Dictionary of Celtic Mythology 2004, originally published by Oxford University Press 2004. (Hide copyright information)
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Rhiannon, Riannon. One of the main female characters of the first,
Pwyll, and third,
Manawydan, branches of the
Mabinogi whose persona derives from the pre-Christian goddesses
Rigantona and
Epona, the horse-goddess. Rhiannon, daughter of Hyfidd Hen, is betrothed to
Pwyll, prince of
Dyfed, after he has been dazzled by seeing her ride by on a white horse. At their wedding-feast, Pwyll fecklessly grants a favour to a suppliant, causing Rhiannon to be betrothed to
Gwawl, son of the goddess Clud and his rival in romance. In a year's time Pwyll returns with a cleverer and more deadly trick, the game of badger-in-the-bag, killing Gwawl. When the newly married Rhiannon arrives at
Arberth, Pwyll's palace, she dispenses precious gifts, evoking her divine origin as a bountiful goddess.
After a few years of marriage Rhiannon produces a son, who is stolen on
May eve, the night he is born. Falsely accused of the infant's murder, Rhiannon is obliged to do public penance for seven years by sitting at the horse-block outside the palace gate, offering all visitors a ride on her back. Then
Teyrnon, Pwyll's retainer, realizes that the child he has been fostering is royal, and returns him. Rhiannon calls the child
Pryderi [care] following her remark, ‘I should be delivered of my care if that were true.’
In the third branch many years have passed, Pwyll has died, and Pryderi as ruler promises his mother as a wife to his comrade in arms
Manawydan. Soon disasters befall the country and the family. A magical mist ravages Dyfed, leaving only Pryderi, his wife, Rhiannon, and Manawydan still living. Then Pryderi and Rhiannon are held captive in
Annwfn, to be freed by Manawydan. The deadly mist is revealed to be the work of Llwyd the enchanter, a friend of Gwawl, seeking redress for the loss of Rhiannon to Pwyll. Manawydan then forces Llwyd to restore
Dyfed to its former verdancy.
There is little question of Rhiannon's anticipation in the shadowy British goddess
Rigantona, and her links to the horse-goddess
Epona also seem secure, as evidenced by her meeting with Pwyll and her punishment after Pryderi's abduction. She may also be related to
Macha (3), the Irish equine figure. The three
birds of Rhiannon, mentioned in the
Mabinogi, are said to sing over the sea at
Harlech. In
Culhwch ac Olwen they can wake the dead and lull the living to sleep. Roger Sherman Loomis (1927) thought Rhiannon's persona contributed to the Arthurian Ninian (The Lady of the Lake).
Bibliography
See W. J. Gruffydd , Rhiannon (Cardiff, 1953);
Kenneth H. Jackson , ‘Some Popular Motifs in Early Welsh Tradition’, Études Celtiques, 11 (1961–7), 83–9.
The Anglo-American rock group Fleetwood Mac gave the name wider currency with the song ‘Rhiannon’ (1976).
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