Pissarro, Lucien
A Dictionary of Twentieth-Century Art
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1999
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© A Dictionary of Twentieth-Century Art 1999, originally published by Oxford University Press 1999. (Hide copyright information)
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Pissarro, Lucien (1863–1944). Anglo-French painter and graphic artist, born in Paris, the eldest son of the celebrated Impressionist painter
Camille Pissarro (1830–1903). His four brothers all became painters. Lucien was taught and continuously coached by his father, and the letters they exchanged are valuable documents on late 19th-century art. Lucien visited England in 1870 as a child, worked there briefly in 1883–4, and settled permanently in the country in 1890 (although he often made trips to France), becoming a British citizen in 1916.
Pissarro had a thorough knowledge of printing techniques, and in 1894 he founded the Eragny Press (named after a village in Normandy where his father lived). This was one of the most distinguished of the private presses that flourished at this time, creating books that existed primarily for the sake of their appearance—typography, illustration, binding—rather than their content. The illustrations were mainly from Pissarro's own drawings, engraved on wood by himself and his wife Esther, and they are remarkable for their use of colour. Pissarro mixed his own inks and sometimes worked on tinted paper. Most of the Eragny Press's early books were set in the ‘Vale’ typeface designed by Pissarro's friend Charles
Ricketts, but after the closure of the Vale Press in 1904, Pissarro's own ‘Brook’ typeface was used. Many of his books were in French and the firm was heavily dependent on foreign sales; the outbreak of the First World War caused its closure in 1914.
In spite of his intense involvement in printing, Pissarro always regarded painting as his primary concern. From 1905 he was a member of
Sickert's circle. He became a member of the
New English Art Club in 1906 and of the
Camden Town Group in 1911. His first one-man show was at the Carfax Gallery, London, in 1913. From 1934 he exhibited at the Royal Academy. His main subject was landscape. He was a modest and unassuming character and has been overshadowed by his more famous father, but he was an important as a link between French Impressionism and
Neo-Impressionism and English art.
Lucien's daughter,
Orovida Pissarro (1893–1968), often known simply as ‘Orovida', was a painter and etcher, mainly of animal subjects.
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