D'Annunzio, Gabriele
A Dictionary of Contemporary World History
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2004
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© A Dictionary of Contemporary World History 2004, originally published by Oxford University Press 2004. (Hide copyright information)
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D'Annunzio, Gabriele (b. 12 Mar. 1863, d. 1 Mar. 1938). Italian writer and political adventurer A prolific and increasingly well-known writer of novels, poetry, and short stories in the 1880s and 1890s, he entered the Chamber of Deputies in 1897 where his support oscillated between the extreme right and the extreme left. He left politics in 1900 and entered the most productive period of his life, partly inspired by his eventful and well-publicized affair with Eleonora Duse. Because of debts he left Italy in 1910 but returned to serve in World War I, where he became a war hero with a daring and distinguished record in the army, the navy, and, especially, the air force. Appalled by the Italian failure to secure the disputed city of
Fiume at the
Paris Peace Conference, he staged a coup and took control of the city. He established an authoritarian right-wing city-state and managed to defy the Italian authorities for sixteen months, until he was eventually forced to abandon the city by
Giolitti in January 1921. He retired and became a cultural figurehead in
Fascist Italy.
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Debussy: Le Martyre de Saint Sebastien. (Michael Tilson Thomas, Leslie Caron, London Symphony Orchestra)
Magazine article from: National Review; 9/20/1993; ; 700+ words
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Research: Humans prefer right ear over left.
News Wire article from: PPI - Pakistan Press International; 6/25/2009; 463 words
; ...perform a task when we receive the request in our right ear. Dr Luca Tommasi and Daniele Marzoli from the University Gabriele dAnnunzio in Italy examined ear preference in communication between humans. Their research which included a series of three...
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Honegger: Le Roi David. (Jean-Claude Casadesus, Orchestre National de Lille)
Magazine article from: National Review; 9/20/1993; ; 700+ words
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Faure: Piano Quartets Nos. 1 and 2. (Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma)
Magazine article from: National Review; 9/20/1993; ; 700+ words
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Some Blues.
Magazine article from: National Review; 9/20/1993; ; 700+ words
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Flip Phillips with Strings: Try a Little Tenderness.
Magazine article from: National Review; 9/20/1993; ; 700+ words
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Of Kindred Souls.
Magazine article from: National Review; 9/20/1993; ; 700+ words
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Verdi: String Quartet in A Minor. (Juilliard String Quartet)
Magazine article from: National Review; 9/20/1993; ; 700+ words
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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