Morris, William
The Concise Oxford Dictionary of Art and Artists
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2003
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© The Concise Oxford Dictionary of Art and Artists 2003, originally published by Oxford University Press 2003. (Hide copyright information)
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Morris, William (1834–96). English designer, craftsman, writer, painter, and social reformer. As a student at Oxford University he formed a lifelong friendship with
Burne-Jones and began to write poetry and to study medieval architecture. In 1856 he was apprenticed to the architect G. E. Street, but soon left to paint under
Rossetti's guidance—his only completed oil painting,
Queen Guenevere (1858, Tate, London), is strongly
Pre-Raphaelite. In 1859, Morris married Jane Burden, who appears in numerous paintings by Rossetti as an archetypal femme fatale; Morris's architect friend Philip Webb built the famous Red House, Bexleyheath, for the couple. With Webb, Rossetti, Burne-Jones,
Ford Madox Brown, P. P. Marshall (a surveyor), and Charles Faulkner (an accountant), Morris founded the manufacturing and decorating firm of Morris, Marshall, Faulkner & Co. in 1861 (reorganized in 1875 as Morris & Co). After a shaky start, the firm prospered, producing furniture, tapestry, stained glass, furnishing fabrics, carpets, and much more. Morris's wallpaper designs are particularly well known (they are still produced commercially today) and Burne-Jones did some superb work for the firm, particularly in stained glass and tapestry design. Morris repudiated the concept of
fine art and his company was based on the ideal of a medieval guild, in which the craftsman both designed and executed the work. As a socialist he wished to produce art for the masses, but there was an inherent flaw in his ambition, for only the rich could afford his expensive hand-made products. His ideal of universal craftsmanship and his glorification of manual skill thus proved unrealistic in failing to come to terms with modern machine production. However, his work bore lasting fruit, in England (see
Arts and Crafts Movement) and abroad, in the emphasis it laid on the social importance of good design and fine workmanship in every walk of life. He also played an important part in the development of the private printing press, through the founding of the
Kelmscott Press. Morris's homes at Walthamstow in London and Kelmscott Manor in Oxfordshire contain good examples of work designed by him and his associates.
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One final show for the Goons; HOTHOUSE, PROPERTY ON SUNDAY.(Column)
Newspaper article from: The Mail on Sunday (London, England); 5/9/2004; 700+ words
; ...shuttered Willinghurst House in the picturesque village of Shamley Green, near Cranleigh, Surrey. It was designed by Philip Speakman Webb, who built The Red House for William Morris and was a prolific figure in the Arts and Crafts movement. Willinghurst...
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FOR THE RECORD.(Vitals)
Newspaper article from: The Register-Guard (Eugene, OR); 9/8/2005; 700+ words
; ...Moses - Serafina Clarke and Philip Moses, of Eugene, a son. Aug...a daughter. Welton - Alissa Webb and Greg Welton, of Florence...in charge of arrangements. Speakman - Reba Nadine Speakman, 81, of Reedsport, died Sept...
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Philip Speakman Webb
Book article from: The Columbia Encyclopedia, Sixth Edition
Philip Speakman Webb 1831-1915, English architect. His influence...and a supporter of his aesthetic creeds. Webb's first commission was the historic Red...development of the arts and crafts movement. Webb was one of the six members of this firm...
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Webb, Philip Speakman
Book article from: A Dictionary of Architecture and Landscape Architecture
Webb, Philip Speakman (1831–1915). Influential English Arts-and-Crafts architect...that are more domestic than ecclesiastical in character. Claims that Webb was somehow a precursor of the Modern Movement do not stand up to serious...
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