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Pisanello

The Oxford Dictionary of Art | 2004 | | © The Oxford Dictionary of Art 2004, originally published by Oxford University Press 2004. (Hide copyright information) Copyright

Pisanello ( Antonio Pisano) (b ?Pisa, c.1394; d ?Rome, ?1455). Italian painter, draughtsman, and medallist. He presumably came from Pisa (hence his nickname—the little Pisan), but he spent his early years in Verona, a city with which he kept up an association for most of his life. His successful career also took him to Rome, Naples, and several courts of north Italy, particularly those of the Este (Ferrara) and Gonzaga (Mantua). With Gentile da Fabriano, he is regarded as the foremost exponent of the International Gothic style in Italian painting, but most of his major works have perished, including frescos in the Doges' Palace, Venice (in which he collaborated with Gentile), and in St John Lateran, Rome (in which he completed work left unfinished by Gentile at his death). His surviving documented frescos are the Annunciation (c.1426, S. Fermo, Verona) and St George and the Princess of Trebizond (c.1433–8, S. Anastasia, Verona), and confidently attributed to him are fragmentary murals showing scenes of war and chivalry in the Palazzo Ducale, Mantua, uncovered in 1968 and one of the most spectacular art discoveries of recent years. A handful of panel paintings is also given to him, including two in the National Gallery, London. On the other hand, a good many of his drawings survive, those of animals being particularly memorable. They show his keen eye for detail and his ability to convey an animal's personality. Pisanello was also the inventor of the portrait medal and arguably the greatest of all exponents of this art form, his work having an extraordinary dignity and strength considering the small size of the objects. His first medal commemorated a visit to Italy by the Byzantine emperor John VIII in 1438, and he subsequently made more than twenty others, mainly for the ruling families of the courts at which he worked.

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Pisanello Redux. (Review Essay).(Pisanello: Painter to the Renaissance Court)
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Book article from: The Oxford Dictionary of Art ...antique coins (with their vivid portraits of emperors). Pisanello is regarded as the father of the art form. The first of his...and on the other is an image of him praying at a shrine. Pisanello subsequently made medals for the ruling families of several...
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Book article from: The Concise Oxford Dictionary of Art and Artists ...prestigious commissions in north Italy, including a fresco of the Crucifixion in Verona Cathedral (1436) and (after defeating Pisanello in competition) a portrait of Leonello d'Este in Ferrara. However, all these works have perished, and his surviving...
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Book article from: The Concise Oxford Dictionary of Art and Artists ...It is the ideal medium for rapidly noting down the first idea and has been used in this way by draughtsmen as different as Pisanello , Michelangelo , Dürer , and Rembrandt. However, it has also been used with great effect in a careful, calligraphic...

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