Strict Scrutiny
The Oxford Companion to the Supreme Court of the United States
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2005
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© The Oxford Companion to the Supreme Court of the United States 2005, originally published by Oxford University Press 2005. (Hide copyright information)
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Strict Scrutiny is the standard under the
Equal Protection Clause that federal courts use to assess the constitutionality of governmental classifications based on race as well as those that impinge on
fundamental constitutional rights. Until the mid‐1970s, strict scrutiny also applied to classifications based on alienage (see
Graham v. Richardson, 1971).
To pass muster, a challenged governmental action must be “closely” related to a “compelling” governmental interest. As such, strict scrutiny is the most rigorous of the three levels of scrutiny that courts have formulated. Ordinary (minimum) scrutiny applies to most bases on which government classifies people and their activities—for example, economic and social considerations such as wealth (or the lack of it). This test merely requires government to show that the classificatory scheme “reasonably” relates to a “legitimate” governmental interest. An intermediate level, called “heightened scrutiny,” applies to classifications based on
gender and illegitimacy. Here, the governmental action must be “substantially” related to an “important” governmental interest (see
Intermediate Scrutiny).
In contrast to ordinary scrutiny, where courts presume that the legislation or challenged governmental activity is constitutional and the plaintiff has the burden of showing a constitutional violation, strict scrutiny assumes that it is unconstitutional and the government has the burden of demonstrating its compelling interest. Courts must focus on government's purpose rather than merely on the effect of governmental action to determine the validity of a challenged law or regulation. The Court held in
Washington v. Davis (1976) that, to be unconstitutional under the
Fourteenth Amendment, discrimination must be intentional.
The difference between a “close” and a “substantial” relationship and the difference between a “compelling” and a “substantial” governmental interest are not delineated by a bright line. The Court has indicated, however, that a close relationship is one that adheres to the “least restrictive” or “least intrusive” means of regulation, and the likelihood that an interest is compelling is greater if it pertains to public health or safety than if it concerns mere administrative convenience or fiscal considerations. There are few cases in which a challenged statute has passed the test of strict scrutiny.
See also
Bill of Rights;
Preferred Freedoms Doctrine.
Harold J. Spaeth
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Nicolas Poussin: Friendship and the Love of Painting.
Magazine article from: Renaissance Quarterly; 3/22/1997; ; 700+ words
; ...addition to the vast literature on Nicolas Poussin was nothing less than a total...investigate the broader thematics of Poussin's landscape paintings within...fully realized "portrait" of Nicolas Poussin in which the true character of...
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Poussin peintre. (retrospective of Nicolas Poussin, 17th-century French painter)(Grand Palais, Paris, France)
Magazine article from: Art in America; 5/1/1995; ; 700+ words
; ...the 17th-century French painter Nicolas Poussin. One hundred and ten paintings...incomparable opportunity to assess Poussin's career firsthand.(1) Most...April 9.(2) The last major Poussin exhibition took place in 1960...
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Poussin and the Poetics of Painting: Pictorial Narrative and the Legacy of Tasso.(Nicolas Poussin: Die Pest von Asdod)(Book review)
Magazine article from: Renaissance Quarterly; 3/22/2007; ; 700+ words
; Jonathan W. Unglaub. Poussin and the Poetics of Painting: Pictorial...521-83367-1. Elisabeth Hipp. Nicolas Poussin: Die Pest von Asdod. Studien zur...that gave them birth. So far as Poussin is concerned, Panofsky's noble...
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The ascent of Mount Poussin. (Nicolas Poussin, Louvre, Paris, France)
Magazine article from: The Economist (US); 1/21/1995; 700+ words
; ...visitors who saw the stupendous Poussin show in Paris before it closed...generation. Nobody ever claimed that Nicolas Poussin, who was born in Normandy in 1594...tapped his forehead and said, "Poussin paints from here." Crass as it...
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Dickens, Opie, and Poussin's Deluge.(Charles Dickens, John Opie, Nicolas Poussin)(Critical essay)
Magazine article from: The Explicator; 9/22/2008; ; 700+ words
; ...Opie's analysis of a painting by Nicolas Poussin also shaped the virtuoso opening...throw the coloristic subtlety of Poussin's Deluge into relief, Opie begins...seen the picture of the Deluge by Poussin. In this work there appears neither...
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Nicolas Poussin: Friendship and the Love of Painting.(Review)(Brief Article)
Magazine article from: Renaissance Quarterly; 6/22/2000; 499 words
; ...Elizabeth and Charles Dempsey, eds. Nicolas Poussin: Friendship and the Love of Painting...friendships of painter Nicholas Poussin (1594-1665) and investigate...in order that "what we know of Poussin's social and intellectual life...
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Roosting Poussin. (purchase of Nicolas Poussin painting by National Gallery of London)
Magazine article from: The Economist (US); 6/11/1988; 700+ words
; ...seventeenth-century French artist, Nicolas Poussin, which has been in Britain since...opportunity to raise the money for the Poussin arose because the government...squeezed British museums. The Poussin is a fine example of a late figurative...
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Essence of the sublime: once considered the lowliest of genres, landscape, in the hands of Nicolas Poussin, achieved emotion, narrative power and, above all, multiplicity of meanings.(EXHIBITIONS)
Magazine article from: Apollo; 3/1/2008; ; 700+ words
; ...portraiture and even animal painting. Poussin's two principal biographers, Andre...Pietro Bellori, paid little attention to Poussin's achievements in this area beyond commenting...hierarchical bias, the valuations of Poussin's landscape paintings, with rare exceptions...
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With the eyes of fashion. (landscape painting exhibit at the National Gallery of Scotland featuring the work of Paul Cezanne, Nicolas Poussin)
Magazine article from: The Economist (US); 8/18/1990; 700+ words
; ...According to its new exhibition, Cezanne and Poussin", Cezanne's dearest wish was to follow...he had expressed a desire to "re-do Poussin over again according to nature". By...were regularly describing Cezanne as the Poussin of impressionism. And the link has stuck...
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A dance to the music of time Mick Jagger, Nicolas Poussin and Anthony Powell have all expressed concerns about the way it mocks us, miserable wasters that we are. Furthermore, it's leap day - there's not a moment to lose! Let D J Taylor explain that ticking sound in your head
Newspaper article from: The Independent on Sunday; 2/29/2004; ; 700+ words
; ...however subtly disguised, is a representation of Time. In Poussin's A Dance to the Music of Time, as the four promenading...borrow the title of one of the volumes. In Anthony Powell's Poussin-inspired 12-volume A Dance to the Music of Time, alternatively...
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Nicolas Poussin
Encyclopedia entry from: Encyclopedia of World Biography
Nicolas Poussin Nicolas Poussin (1594-1665), one of the greatest French painters, rationally synthesized the diverse tendencies of French and Italian art. His work is a salient example of lucid control by the mind over the senses. The art...
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Poussin, Nicolas (1594–1665)
Encyclopedia entry from: Europe, 1450 to 1789: Encyclopedia of the Early Modern World
POUSSIN, NICOLAS (1594 – 1665) POUSSIN, NICOLAS (1594 – 1665), French painter. Poussin is one of the artists most beloved by art historians because his slow but steadily developing talent, combined with his passion for...
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Poussin, Nicolas
Book article from: The Oxford Dictionary of Art
Poussin, Nicolas ( b Les Andelys, Normandy, June 1594...a church commission. Soon afterwards Poussin moved to Paris, where he probably spent...lived in Paris. Encouraged by Marino, Poussin set out for Rome (he had already made...
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Gaspard Poussin
Book article from: The Columbia Encyclopedia, Sixth Edition
Gaspard Poussin , 1615-75, French landscape painter, b. Rome. The son of a Frenchman named Dughet, he adopted the name of his brother-in-law, Nicolas Poussin , in whose studio he worked and whose influence is visible in his interpretations...
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Claude Lorrain
Encyclopedia entry from: Encyclopedia of World Biography
...19th century. Claude Lorrain and Nicolas Poussin were the most distinguished exponents...middle of the 17th century. Whereas Poussin was interested in rendering the...two to any pronounced degree. If Poussin's art is the last phase of rational...
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