Penn Central Transportation Co. v. City of New York
The Oxford Companion to the Supreme Court of the United States
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2005
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© The Oxford Companion to the Supreme Court of the United States 2005, originally published by Oxford University Press 2005. (Hide copyright information)
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Penn Central Transportation Co. v. City of New York, 438 U.S. 104 (1978), argued 17 Apr. 1978, decided 26 June 1978 by vote of 6 to 3; Brennan for the Court, Rehnquist in dissent. This key decision on the
regulatory taking doctrine originated several important principles. New York City's Landmarks Preservation Committee designated Grand Central Terminal a landmark. Consequently, the plaintiff was denied permission to build a fifty‐story office building (supported by arches) above the terminal. However, the city allowed “transferable development rights,” by which the plaintiff or an assignee could make excess development on certain nearby “transfer” sites. Penn Central challenged the restriction as a denial of due process and a taking.
In a wide‐ranging opinion, the Court held that the development restriction was not a taking because it did not impede existing uses or prevent a reasonable return on investment. The opinion emphasized that the restriction did not unduly “frustrate distinct investment‐backed expectations” (p. 127), a phrase that appears in subsequent takings decisions. While the Court did not consider the mitigating effect of the transferable development rights, it was suggested that such transferable rights might mitigate loss to prevent a taking or might, if there were a taking, provide a form of compensation. The Court also rejected the argument that airspace be considered a separate parcel of property for taking purposes. Underlying the opinion is the notion that aesthetic values, particularly historic preservation, are important public interests that justify restrictions on private land.
See also
Eminent Domain;
Fifth Amendment;
Just Compensation;
Takings Clause.
William B. Stoebuck
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Classical.(Features)
Newspaper article from: Daily Post (Liverpool, England); 3/4/2005; 700+ words
; ...feature Caruso, Gigli, Tito Schipa, Richard Tauber, Leo Slezak and Joseph Schmidt. Friends and colleagues recall the...big success after the second world war. The avuncular Leo Slezak turned to operetta in his later life, to the dismay...
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RECORDINGS; Great Voices for Christmas: Enrico Caruso in Toto
Newspaper article from: The Washington Post; 12/2/1990; ; 700+ words
; ...The Art of Frida Leider" (89301, three CDs) and "Leo Slezak" (89020). Both were noted Wagnerians, but Preiser shows other dimensions of their art as well: Slezak is very impressive in Verdi and other music of the early...
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Opera has something for everybodytragedy, drama and the odd swan
Newspaper article from: The Sunday Telegraph London; 2/1/2009; ; 700+ words
; ...disaster. There is a wonderful story about the tenor Leo Slezak who during a performance of Wagner's Lohengrin missed...early. As he watched the bird disappear into the wings Slezak turned to the audience and asked, 'When does the next...
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Confessions of an Opera Lover
Magazine article from: Opera News; 2/1/2004; ; 700+ words
; ...eminence Mary Ellis Peltz. My favorite quiz, on a Meistersinger matinee, featured actor Walter Slezak, son of the famous Wagnerian tenor Leo Slezak. Professionally a comic player, Junior was an outright zany when off script, and he tore the...
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An Opera Miscellany
Magazine article from: Musical Opinion; 3/1/2008; ; 534 words
; ...dip in and out at leisure. My favourite tells of tenor Leo Slezak in Lohengrin. He watches aghast as the swan boat in which...the instigation of an over-enthusiastic stagehand. Slezak's legendary response was to sing, in German, "What...
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From the absurd to the supreme
Magazine article from: The Spectator; 10/21/2000; ; 700+ words
; ...speak for themselves: Michael O'Kelly, who sang for Mozart and worshipped `the little man', as he called him, Leo Slezak and Galina Vishnevskaya of the Bolshoi. The itch to rejig someone else's anthology is a well-known psychological...
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In review: Vienna
Magazine article from: Opera News; 3/1/1999; ; 700+ words
; ...Court) Opera, Rossini's Guillaume Tell was a favorite with Viennese audiences -- especially when such tenors as Leo Slezak could cope with the heights of Arnold. (Even Karl Terkal was able to provide the requisite animal thrill at the last...
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LILLI LEHMANN
Magazine article from: Fanfare; 1/1/2009; ; 700+ words
; ...acoustic era with equal enthusiasm. Now I only have seven in my collection: Caruso (who doesn't?), Emma Calv, Leo Slezak, Lehmann, Johanna Gadski, Mattia Battistini, and John Forsell; and of them all, it is Lehma
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Singing Saved His Life...
Magazine article from: Opera News; 2/1/2008; ; 700+ words
; ...is such a big sound.' Instead, you hear the music." Botha is forthcoming when questioned about looking more like Leo Slezak or Lauritz Melchior than some of today's matinee-idol tenors. "Sometimes I feel I am fighting a losing batde...
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German Brno.(theme)
Magazine article from: Czech Music; 4/1/2006; ; 700+ words
; ...was under his auspices that the Ring cycle was first staged as a whole in Brno. Aman also discovered the famous tenor Leo Slezak and the baritone Rudolf Berger. The core of the opera repertoire continued to consist of German music. Only at the...
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Slezak, Walter (Leo)
Book article from: The Oxford Companion to American Theatre
Slezak, Walter [Leo] (1902–83), actor and singer. The son of the famed opera singer Leo Slezak, he was born in Vienna and had a successful career there in musicals...
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Leo Slezak
Book article from: The Columbia Encyclopedia, Sixth Edition
Leo Slezak , 1873-1946, Czech tenor, pupil of Jean de Reszke. After his debut as Lohengrin at Brno in 1896...humor. Bibliography: See his memoirs (1928, tr. 1937); biography by his son, the actor Walter Slezak (1962).
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Slezak, Leo
Book article from: The Concise Oxford Dictionary of Music
Slezak, Leo ( b Krásná Hora, 1873; d Egern am Tegernsee, 1946). Austro-Cz. tenor. Sang in ch. of Brno Opera...
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Slezak, Erika 1946–
Book article from: Contemporary Theatre, Film and Television
SLEZAK, Erika 1946– PERSONAL Full name, Erika Alma Hermina Slezak; born August 5, 1946, in Hollywood, CA; daughter of Walter Leo (an actor) and Johanna Elizabeth (maiden name, Van Rijn) Slezak; married first husband, 1968...
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