Conference, The
The Oxford Companion to the Supreme Court of the United States
|
2005
|
|
© The Oxford Companion to the Supreme Court of the United States 2005, originally published by Oxford University Press 2005. (Hide copyright information)
Copyright
Conference, The, a private meeting of the justices of the Supreme Court of the United States. During the Court's annual term, beginning in October, the justices meet as a group twice each week to screen petitions for review of new cases, to deliberate cases currently on the Court's docket, and to transact miscellaneous Court business.
At the sound of a buzzer, the justices assemble in the Court's panelled Conference Room, under a portrait of Chief Justice John
Marshall. After a handshake, each justice takes a preassigned seat around a long table with the
chief justice at one end, the senior associate justice at the other, and the remaining justices along the sides. No clerks, secretaries, or visitors are permitted behind the closed doors once a conference has begun.
In recent years, conferences have been scheduled for Wednesday afternoons, during which the justices deliberate the four cases orally argued the previous Monday. Typically, the Court meets again for a full‐day session on Friday to discuss the eight cases argued on Tuesday and Wednesday. This schedule has varied, however, throughout history. In the Court's early years, conferences were scheduled in the evening or on weekends, often in the boarding houses or hotels shared by justices while in residence in Washington. Until 1955, the Court conferred on Saturdays to discuss all cases argued the previous week.
While meeting times have varied, the basic agenda of a typical conference session has remained constant for some time. The chief justice presides, allowing a brief period for consideration of the petitions for hearing (
certiorari petitions) on the Court's
“discuss list.” This list includes all petitions deemed worthy of full‐dress treatment by any justice. If four justices agree to review a case, it is then scheduled for briefing and oral argument. The chief justice initiates discussion of a petition with a statement as to why he feels it is worthy of consideration on the merits. In order of seniority on the Court, the eight associate justices may then comment.
In addition to this ongoing work with certiorari petitions throughout the regular term, the Court added a series of several late September daylong meetings in the 1970s. These meetings are exclusively for the purpose of considering certiorari petitions that accumulate during the Court's summer recess.
Following discussion of matters relating to the Court's docket and of any miscellaneous items and motions awaiting the attention of the justices, the chief justice moves on to the deliberation of the cases argued before the Court in the previous few days. Customarily, the chief justice frames the discussion of a case with a review of its facts and mention of its history and of relevant legal precedent. In descending order of seniority, the remaining justices present their views.
In the past, a vote was taken after the newest justice to the Court spoke, with the justices voting in order of ascending seniority largely, it was said, to avoid pressure from long‐term members of the Court on their junior colleagues. By contrast, recent practice suggests that the initial comments of each justice carry an indication of that individual's vote, making a separate vote unnecessary in most instances. After everyone has spoken, the chief justice announces his vote tally before moving on to the next case.
Since the justices jealously guard the secrecy of their conferences, no formal records of these meetings are kept. However, many of the justices maintain personal notes summarizing the discussions to assist recall of particular conferences. Court watchers have been able to reconstruct the general tenor of past conferences by tapping these notes as they are made public, frequently years after the justice's death. Researchers also have been aided by occasional off‐the‐bench remarks and publications of justices.
These judicial materials suggest that the atmosphere of conferences can vary considerably, depending on the attitudes and style of the presiding chief justice, the personalities of the associate justices, and the complexity and emotional content of the case at hand. Overall, conference notes suggest that the justices are generally both cordial and frank. But the occasional acrimonious interchange over a particularly divisive case justifies Chief Justice William
Rehnquist's assessment of the conference mechanism as a “relatively fragile instrument.”
Rehnquist has made it clear that he prefers a businesslike conference in which each justice speaks in turn, uninterrupted. In his
The Supreme Court: How It Was, How It Is (1987), the chief justice notes, “the true purpose of the conference discussion of argued cases is not to persuade one's colleagues through impassioned advocacy to alter their views, but instead by hearing each justice express his own views to determine therefrom the view of the majority of the Court.” (p. 295).
Other twentieth‐century chief justices have adopted contrasting styles during their stewardships of the Court's conferences. During the 1930s, for example, the respect accorded to Chief Justice Harlan Fiske
Stone's formidable memory, analytic skills, and managerial talents allowed him to tightly control discussion and to move the group along at a brisk tempo. However, some of his associate justices at times complained that the Stone style discouraged important interchanges. Between 1953 and 1969, Chief Justice Earl
Warren's personal disposition and desire for consensus typically encouraged a more unstructured discussion of agenda items. In any event, the unlimited give‐and‐take that commonly occurred in the nineteenth century has disappeared with the growing case load faced by the modern Court.
Although the conference remains a critical stage in the Court's decision‐making process, the limited opportunity for extended discussion of cases at conference has increased the importance of subsequent, informal judicial interaction. A justice's thinking about a case, and even his or her vote, may change in the ensuing weeks and months, while opinions and memoranda are drafted and informal discussions continue. During that period, the justices may negotiate for the wording of passages in a yet‐to‐be‐published opinion or suggest a new approach to the legal issues presented by a case. In sum, the deliberation that began at conference continues in a variety of informal ways until the Court announces its decision in a case, often many months later.
See also
Decision‐making Dynamics.
Bibliography
David M. O'Brien , Storm Center: The Supreme Court in American Politics (1986).
Bob Woodward and and Scott Armstrong . The Brethren: Inside the Supreme Court (1979).
Robert J. Janosik
Cite this article
Pick a style below, and copy the text for your bibliography.
|
ARTURO TOSCANINI: THE COMPLETE PHILADELPHIA ORCHESTRA RECORDINGS 1941-42
Magazine article from: Fanfare; 7/1/2007; ; 700+ words
; ARTURO TOSCANINI: THE COMPLETE PHILADELPHIA ORCHESTRA RECORDINGS 1941-42 * Arturo Toscanini, cond; Philadelphia O; Edwina Eustis...Scottish." SCHUMANN Symphony No. 2 * Arturo Toscanini, cond; NBC SO * TESTAMENT 1377...
|
|
montblanc launches "donation pen arturo toscanini writing instruments.
News Wire article from: Albawaba.com; 7/9/2009; 700+ words
; ...new "Montblanc Donation Pen Arturo Toscanini" in black precious resin and...greatest maestri as conductor: Arturo Toscanini. In line with his commitment...revenue of the "Donation Pen Arturo Toscanini" will go towards promoting...
|
|
Toscanini stamp to debut at Carnegie Hall. (Arturo Toscanini)
PR Newswire; 3/22/1989; 700+ words
; ...HALL NEW YORK, March 22 /PRNewswire/ -- Arturo Toscanini, considered by many to be the greatest...Hupka took some 1,500 photographs of Toscanini while working for RCA. Arturo Toscanini was born March 25, 1867, in Parma, Italy...
|
|
montblanc launches "donation pen arturo toscanini writing instruments
Newspaper article from: Al Bawaba; 7/9/2009; 700+ words
; ...new "Montblanc Donation Pen Arturo Toscanini" in black precious resin and...greatest maestri as conductor: Arturo Toscanini. In line with his commitment...revenue of the "Donation Pen Arturo Toscanini" will go towards promoting...
|
|
LETTERS OF TOSCANINI REVEAL CONDUCTOR'S INNER TURMOIL.(A&E)(Review - Book - Nonfiction\"The Letters Of Arturo Toscanini"\"Arturo Toscanini: The Nbc Years")(Review)(Letter to the Editor)
Newspaper article from: St Louis Post-Dispatch (MO); 6/30/2002; ; 700+ words
; Arturo Toscanini didn't do his biographers any favors...after all. With "The Letters of Arturo Toscanini" collected, translated and meticulously...Toscanini. Critic Mortimer Frank's "Arturo Toscanini: The NBC Years" is a detailed study...
|
|
The Letters of Arturo Toscanini. (Book Reviews: Diverse Topics).(Book Review)
Magazine article from: Notes; 3/1/2003; ; 700+ words
; The Letters of Arturo Toscanini. Compiled, edited, and translated...ideal way to become acquainted with Arturo Toscanini. Of course, Toscanini still lives...1978) and Denis Matthews's Arturo Toscanini (New York: Hippocrene Books...
|
|
An In-Depth Look at Arturo Toscanini's Final Concert
Transcript from: NPR Morning Edition; 4/4/1994; 700+ words
; ...today, on April 4, 1954, Arturo Toscanini conducted his last concert in...author of the forthcoming book, Arturo Toscanini - the NBC Years. Mr. FRANK...concert in the winter series of Arturo Toscanini and the NBC Symphony Orchestra...
|
|
ARTURO TOSCANINI
Magazine article from: Fanfare; 9/1/2007; ; 700+ words
; ARTURO TOSCANINI * Arturo Toscanini, cond; NBC SO; Metropolitan Op Ch;1 Mischa Mischakoff (vn);2 Carlton Cooley (va)2 * TESTAMENT 1404 (2 CDs: 141:32) Broadcast: 1938-1945 MEYERBEER Dinorah: Overture.1 GOLDMARK Rustic Wedding...
|
|
Arturo Toscanini: The NBC Years
Magazine article from: Opera News; 9/1/2002; ; 604 words
; Arturo Toscanini: the NBC Years by Mortimer H. Frank...Probably more books have been written about Toscanini than about any other conductor. None...volume offers intriguing new insight into Toscanini's art. Frank, a respected record...
|
|
The Letters of Arturo Toscanini
Magazine article from: Opera News; 6/1/2002; ; 700+ words
; The Letters of Arturo Toscanini edited by Harvey Sachs Alfred A...35 Harvey Sachs's biography Toscanini, published by Lippincott in 1978...wrote another book, Reflections on Toscanini, and various articles, expanding...
|
|
Arturo Toscanini
Encyclopedia entry from: Encyclopedia of World Biography
Arturo Toscanini The Italian conductor Arturo Toscanini (1867-1957) was the most famous and influential conductor of the first half of the 20th century. Arturo Toscanini was born on March 25, 1867, in Parma, Italy, the...
|
|
Toscanini, Arturo
Book article from: Contemporary Musicians
Arturo Toscanini Conductor “ The Maestro ” For more than half a century, Arturo Toscanini was one of the world ’ s most respected conductors, a musical...
|
|
Arturo Toscanini's Farewell
Book article from: American Decades
ARTURO TOSCANINI'S FAREWELL The Maestro In the early 1950s "Maestro" referred to only one conductor: Arturo Toscanini, the fiery sym-phony conductor whose pursuit of perfection without...
|
|
Howell, C. Thomas 1966– (Tom Howell)
Book article from: Contemporary Theatre, Film and Television
...The Imposter ), New World, 1986. Bubber Drumm, A Tiger's Tale, Atlantic, 1987. Arturo Toscanini, Il giovane Toscanini (also known as Toscanini and Young Toscanini ), Carthago, 1988. Raoul, The Return of the Musketeers (also known...
|
|
Horowitz, Vladimir
Book article from: Contemporary Musicians
...conductors as Bruno Walter and Arturo Toscanini. Even among such great musicians...Bodik) Gorowitz; married Wanda Toscanini, December 21, 1933; children...Beethoven ’ s Emperor with Toscanini and the New York Philharmonic...
|