Panama Hattie
The Oxford Companion to American Theatre
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2004
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© The Oxford Companion to American Theatre 2004, originally published by Oxford University Press 2004. (Hide copyright information)
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Panama Hattie (1940), a musical comedy by Herbert
Fields, B. G. De Sylva (book), Cole
Porter (music, lyrics). [46th Street Theatre, 501 perf.] Hattie Maloney ( Ethel
Merman) is a saloon owner in the Canal Zone, where she meets and falls in love with a Philadelphia socialite, Nick Bullett ( James Dunn). He agrees to marry Hattie if she can win the affection of Nick's young daughter from a former marriage. So Hattie sets about wooing little Geraldine ( Joan Carroll) and eventually succeeds.
Notable songs: I've Still Got My Health; Let's Be Buddies; Make It Another Old‐Fashioned, Please. A brash, brassy musical without a truly top‐drawer Porter score, producer De Sylva's excellent production, Merman's appeal, and improving economic times made it the first book musical since the Depression to run more than five hundred performances.
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The Failure of Bismarck's Kulturkampf: Catholicism and State Power in Imperial Germany, 1871-1887.
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Liberaler Katholik--Reformkatholik--Modernist?: Franz Xaver Kraus (1840-1901) zwischen Kulturkampf und Modernismuskrise.(Book Review)
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Windthorst, Ludwig
Book article from: The Concise Oxford Dictionary of the Christian Church
...German Diet and later of the German Reichstag. In 1871 he helped to found the Centre Party ; he was its leader until his death. He took part in the Kulturkampf and had a large share in the negotiations for the repeal of the May Laws .
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Ketteler, Wilhelm Emmanuel von
Book article from: The Concise Oxford Dictionary of the Christian Church
...he opposed the definition of Papal infallibility on the ground that its promulgation was ‘inopportune’. He also opposed the Kulturkampf , championing the freedom of the RC Church in Germany from State control.
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