Research topic:William Charles Macready

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Macready, William Charles

The Oxford Companion to American Theatre | 2004 | | © The Oxford Companion to American Theatre 2004, originally published by Oxford University Press 2004. (Hide copyright information) Copyright

Macready, William Charles (1793–1873), actor and director. A great, if controversial, English tragedian, he was lauded for his forceful, albeit somewhat formal acting, and despised for his arrogance and explosive temper. His American debut came at the Park Theatre in 1826 in one of his greatest roles, Virginius, and prompted the Mirror to remark, “It is said there is no actor living who unites as much power and original genius with correct taste and cultivated talents as Macready. . . .His person is tall and commanding—his carriage noble—his face, though not technically a first rate stage face, is wonderfully expressive, and his voice peculiarly fine, deep and mellow.” He followed his Roman with his Damon, William Tell, Macbeth, and Coriolanus, adding Othello, King Lear, and Richelieu to his American repertory when he returned in 1843. From the start, elements of the press had attacked him personally, and his open contempt for American actors exacerbated matters. These problems came to a head on his third trip in 1848 when his rivalry with Edwin Forrest, as much a national and class rivalry as a personal one, exploded in May 1849 with the Astor Place Riots. Immediately thereafter he sailed for England, never to return. Mrs. John Drew, who acted with him, recalled, “Macready was a dreadful man to act with. . .[he was] a terribly nervous actor; any little thing which happened unexpectedly irritated him beyond endurance.” Biography: The Eminent Tragedian: William Charles Macready, Alan S. Downer, 1966.

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Gerald Bordman and Thomas S. Hischak. "Macready, William Charles." The Oxford Companion to American Theatre. Oxford University Press. 2004. Encyclopedia.com. 29 Nov. 2009 <http://www.encyclopedia.com>.

Gerald Bordman and Thomas S. Hischak. "Macready, William Charles." The Oxford Companion to American Theatre. Oxford University Press. 2004. Encyclopedia.com. (November 29, 2009). http://www.encyclopedia.com/doc/1O149-MacreadyWilliamCharles.html

Gerald Bordman and Thomas S. Hischak. "Macready, William Charles." The Oxford Companion to American Theatre. Oxford University Press. 2004. Retrieved November 29, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O149-MacreadyWilliamCharles.html

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Related entries from encyclopedias, dictionaries, and thesauruses

William Charles Macready
Book article from: The Columbia Encyclopedia, Sixth Edition William Charles Macready , 1793-1873, English actor and manager...Richard III at Covent Garden in 1819, Macready established himself as a tragedian...Edwin Forrest . He retired in 1851. Macready sought to uphold the standards of fine...
Macready, William Charles
Book article from: The Oxford Companion to American Theatre Macready, William Charles (1793–1873), actor...with him, recalled, “Macready was a dreadful man to act with...Biography: The Eminent Tragedian: William Charles Macready , Alan S. Downer, 1966.
Astor Place Riots
Book article from: The Oxford Companion to American Theatre ...Forrest and the English actor William Charles Macready , both made debuts in New York...gallery and the pits, while Macready's more severe, formal methods...reception, which he blamed on Macready. Early in 1846 both men were...
Astor Place Riot
Dictionary entry from: Dictionary of American History ...Edwin Forrest and the English tragedian William Charles Macready. The haughty and aristocratic Macready had already emerged as a hated figure among...performed before cheering crowds, while Macready was forced from the stage of the Astor...
Covent Garden
Book article from: The Concise Oxford Companion to the Theatre ...the patent granted to Sir William Davenant (see PATENT THEATRES...appearance, and in 1816 Macready his first. Kemble retired...and his younger brother Charles Kemble took over. In 1829...included Charles Kean , Macready, and Helen Faucit , making...

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