rocket weapons
The Oxford Companion to World War II
|
2001
|
|
© The Oxford Companion to World War II 2001, originally published by Oxford University Press 2001. (Hide copyright information)
Copyright
rocket weapons (for the German V-2 rocket, see
V-weapons). The rocket as a weapon saw little use in the early part of the century, but in the 1930s it began a revival, largely on the grounds of economy. The principal advantage of the rocket is the simple launching device, much cheaper and easier to make than a complex gun; the problem lay in the development of a suitable propellant. In the UK, the development of solventless cordite made possible the manufacture of large sticks of smokeless powder which could be extruded in shapes which gave the desired burning characteristics, and this, coupled with the sudden demand for enormous increases in anti-aircraft weapon strength, led to work on 2 in. (5 cm.) and 3 in. (7.6 cm.) rockets for air defence in the mid-1930s.
In Germany experimenters had been drawn to the study of liquid propellants and their work was carefully watched by the army, who saw the long-range rocket as a possible substitute for heavy artillery which would evade the provisions of the
Versailles settlement. The Soviets also saw rockets as a cheap substitute for artillery and began work on a simple bombardment weapon.
The British rockets were fully developed and given extensive testing in the West Indies in 1938–9, but the army demanded a closed-breech launcher which proved inaccurate and the programme was shelved in favour of guns. The Royal Navy adopted the 2 in. design and used it with some success as a barrage weapon to protect ships; this system used a simple open-rail launcher which proved satisfactory, with the result that a similar simple launcher to fire the 3 in. rocket was developed for the army in late 1940. It was intended for use against dive-bombers and the rocket was fitted with the first
proximity fuze, an electro-optical sensor which detected the shadow of the aircraft. As this device was useless in darkness, and as the Germans had turned to night attacks (see
Blitz), conventional time-fuzed warheads were adopted. The launchers were re-grouped into batteries of 64 two-rocket launchers and employed for high-altitude barrage fire, principally around seaports so that the expended rocket motors could fall harmlessly into the sea. These ‘Z Batteries’ remained in service until the end of the war.
When the
Dieppe raid of August 1942 revealed how crucial it was to saturate landing beaches with fire, the RN scaled-up the 3 in. design to 5 in. (12.6 cm.) diameter to produce a weapon for close onshore bombardment. These rockets were fired from fixed frames fitted in special
landing craft and were extensively used during the Normandy landings in June 1944 (see
OVERLORD) and elsewhere.
In 1944, in search of a field bombardment weapon, the Canadian Army adopted the 3 in. rocket motor and allied it to the naval 5 in. warhead to produce the LAND MATTRESS (a meaningless codename) which was used with considerable success on Walcheren Island during the
Scheldt Estuary battle and to break through the
West Wall at the start of the
battle for Germany. The launcher was a simple open-frame device holding sixteen rockets and capable of being towed behind a light truck. The same rocket/warhead combination was also used by the RAF as an air-to-ground attack weapon, particularly against tanks and transport during the
Normandy campaign in 1944. With a different warhead, it was also used by RAF Coastal Command against submarines.
German rocket development split into two: the evolution of long-range liquid-fuelled missiles (see
V-weapons) and of short-range solid-fuel bombardment rockets for field use. The latter became the Nebelwerfer (smoke thrower), a simple wheeled launcher which fired a volley of six 15 cm. (5.9 in.) rockets; this design was then improved into models firing 21 cm. (8.2 in.) and 32 cm. (12.6 in.) rockets. The name was a hangover from the
First World War, when the larger
mortars were employed to lay down smoke or gas. Various solid-fuel air defence rockets were also developed in Germany. None was ready for service before the war ended, but a rocket-propelled fighter did become operational (see
fighters, 1).
Soviet development was almost entirely confined to heavy bombardment rockets, familiarly known as Katyusha or ‘Stalin's Organ’. They were 21 cm. solid-fuel rockets discharged in volleys from launchers carried on trucks, and became a prime component of Soviet field artillery.
American work began with spin-stabilized field bombardment rockets in 4.5 in. (11.4 cm.) and 7.2 in. (18.2 cm.) calibres, and then extended to air-to-ground rockets for tactical support fighters. However, perhaps the most significant American development was of the 2.36 in. (6 cm.) Bazooka anti-tank rocket, a design based on semi-official pre-war experiments. This small shoulder-carried launcher had been perfected but there appeared to be no tactical use for it until the arrival of the shaped charge (see
explosives) as a potential armour-defeating weapon. With a shaped-charge head attached to the rocket, the Bazooka became the progenitor of a host of similar devices extending to the present day. It was first used in the
North African campaign in 1942. Quantities of the earliest ones were supplied to the USSR and a number fell into German hands. The Germans then copied the design and produced the Panzerschreck launcher. This fired a 88 mm. (3.4 in.) rocket grenade whose rocket motor was ignited by an electrical pulse. It was operated by two men, had a range of 150 m., and could penetrate 210 mm. (8.25 in.) of armour (see Figure 1).
The Panzerschreck should not be confused with the Pan zerfaust, also a recoilless rocket launcher of German design (see Figure 2). This fired a hollow-charge bomb from a disposable tube launcher, and could be carried and fired by one man. It first appeared in late 1942 and later models had a range of up to 100 m. at which range it could penetrate 200 mm. (7.8 in.) of armour. See also
guided weapons.
Ian Hogg
Bibliography
Baker, D. , The Rocket (London, 1978).
Gusnton, W. , Rockets and Missiles (London, 1979).
Cite this article
Pick a style below, and copy the text for your bibliography.
|
Kathleen Battle: Battling ice and frigid air to hear
Newspaper article from: Baltimore Afro-American; 1/22/1994; ; 700+ words
; ...American 01-22-1994 Kathleen Battle: Battling ice and frigid...partake of operatic soprano Kathleen Battle's performance...presenting artists such as Battle who add yet another cultural...Canary Islands for the Kathleen Battle concert. He then...
|
|
Kathleen Battle...and when she was good...
Newspaper article from: Tri-State Defender; 6/25/1997; 700+ words
; Tri-State Defender 06-25-1997 Kathleen Battle.... and when she was good... I was such an...was bad, she was horrid!!". Opera mega-star Kathleen Battle, has been portrayed for much of her professional...
|
|
Kathleen Battle: opera diva sings jazz style songs on 'So Many Stars' album.(Cover Story)
Magazine article from: Jet; 12/11/1995; 700+ words
; Superstar lyric soprano Kathleen Battle joins forces with some of jazz music...the unexpected-from me," Ms. Battle said. "For many years I have wanted...Grover Washington Jr. described Kathleen Battle's music as "heartfelt...
|
|
KATHLEEN BATTLE ON GMA
Transcript from: ABC Good Morning America; 12/24/1997; ; 323 words
; ...this Christmas season. Hiya. KATHLEEN BATTLE, Soprano: Good morning, Charles...Good to have you back here. KATHLEEN BATTLE: Nice to be here. CHARLES...the voice of Grammy Award winner Kathleen Battle. We have been honored to...
|
|
Kathleen Battle sang with exquisite beauty
Newspaper article from: Chicago Defender; 4/17/2001; ; 698 words
; Kathleen Battle sang with exquisite beauty Soprano Kathleen Battle's recital at Orchestra Hall of the Symphony Center recently sparkled...full confidence. Article Copyright Sengstacke Enterprises, Inc. Photo (Kathleen Battle)
|
|
A too-brief glimpse of the real Kathleen Battle
Newspaper article from: The Boston Globe; 1/17/1994; ; 700+ words
; KATHLEEN BATTLE, soprano, with MARGO GARRETT, piano...fullest expression of human experience. Kathleen Battle, like Kiri Te Kanawa, has built...just a vehicle for a diva; the real Kathleen Battle stood up, and it was wonderful to be...
|
|
Conductor sings soprano's praises: ; Conlin predicts Kathleen Battle will work magic
Newspaper article from: Charleston Daily Mail; 9/14/2000; ; 700+ words
; DAILY MAIL STAFF WHEN Kathleen Battle walks onto the stage of the Municipal...instant rapport with the audience. "Kathleen Battle is one of the great artists...gave her his greatest compliment. "Kathleen Battle is on my short list of great...
|
|
PRIMA DONNA Kathleen Battle has 3 hit CDs, makes $40,000 a night and enjoys worldwide fame. So why does she behave so badly?
Newspaper article from: The Boston Globe; 2/7/1993; ; 700+ words
; ...America's sweetheart soprano Kathleen Battle walked out of the Metropolitan...satisfaction. Volpe chose not to, and Battle walked -- in polite, official...unpleasant stories circulate about Kathleen Battle than about any other current...
|
|
Wynton Marsalis, Kathleen Battle merge spirituals and jazz
Newspaper article from: New York Amsterdam News; 10/14/1995; ; 700+ words
; ...York Amsterdam News 10-14-1995 Wynton Marsalis, Kathleen Battle merge spirituals and jazz. Trumpeter Wynton Marsalis might have conceded to having lyric soprano Kathleen Battle dominate his house at Lincoln Center. Marsalis...
|
|
Kathleen Battle was fabulously awesome in concert
Newspaper article from: Chicago Defender; 6/20/2000; ; 665 words
; Kathleen Battle was fabulously awesome in concert Regardless...anticipation of a wonderful musical evening with Kathleen Battle as soloist for Grant Park Music Summer...Copyright Sengstacke Enterprises, Inc. Photo (Kathleen Battle)
|
|
Kathleen Battle
Encyclopedia entry from: Encyclopedia of World Biography
Kathleen Battle American soprano Kathleen Battle (born 1948) divided her career between the opera and...to operatic ing é nue roles. Lyric coloratura soprano Kathleen Battle was born on August 13, 1948, in Portsmouth, Ohio...
|
|
Battle, Kathleen
Dictionary entry from: Baker's Biographical Dictionary of Popular Musicians Since 1990
KATHLEEN BATTLE Born: Portsmouth, Ohio...Baroque Duet (1992) Kathleen Battle emerged from humble...Television in the USA. Battle followed with a much anticipated...2002 she released Classic Kathleen Battle: A Portrait. This...
|
|
Battle, Kathleen (Deanna)
Book article from: The Concise Oxford Dictionary of Music
Battle, Kathleen (Deanna) ( b Portsmouth, Ohio, 1948). Amer. soprano. Prof. début Spoleto Fest. 1972 ( Brahms's Requiem ). Opera début, Detroit 1975; NY Met 1978; Glyndebourne 1979; Salzburg 1982; CG 1985.
|
|
Wagoner, Rick 1953–
Book article from: International Directory of Business Biographies
...MBA, 1977. Family: Married Kathleen "Kathy" Kaylor, 1979; children...locked in a no-holds-barred battle with the rest of the worldwide...January 8, 2004). AN UPHILL BATTLE Although GM held 15.2 percent...While at college, Wagoner met Kathleen Kaylor, who was two years...
|
|
Williams, Denise 1958–
Book article from: Contemporary Black Biography
...after African-American soprano Kathleen Battle, who became an important mentor...Price, and Barbara Hendricks, and Battle and [Jessye] Norman —...Nathaniel Dett Chorale, soloist with Kathleen Battle, 1999; Toronto Symphony...
|