Talifer
The Oxford Companion to American Literature
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1995
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© The Oxford Companion to American Literature 1995, originally published by Oxford University Press 1995. (Hide copyright information)
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Talifer, blank‐verse narrative by
E.A. Robinson, published in 1933.
Samuel Talifer, a middle‐aged businessman, who has been engaged to the attractive but rather immature Althea, is now about to marry Karen, a woman of exotic beauty and complex intellect, with whom he claims to have “found Peace.” This assertion amuses his wise and witty friend Dr. Quick, who sees that, while Althea genuinely loves and admires Talifer, Karen is motivated chiefly by a jealous hatred of Althea, and is interested in the theft of his affections rather than the man himself. Althea is meanwhile heartbroken, and the solitary Quick, who in his own way loves both women, can comfort her only by advising patience. Talifer and Karen are married, but immediately suffer from their extreme incompatibility. Karen, scholarly and remote, despises her undiscerning husband, who finds her impossibly refined and unsympathetic. The natural course of events, with Quick as catalyst, precipitates a crisis, during which Talifer secretly promises Althea that he will return to her, and Karen, because of a hysterical, ungrounded fear of murder by her husband, flees to the doctor's home. Quick sends her to his estate in Wales, to which he follows, while Talifer obtains a divorce and marries Althea. Two years later, the genial physician returns to find the Talifers happy at the birth of a son, and tells them that Karen has now devoted herself to study at Oxford.
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Rare burgundy; Travel.
Newspaper article from: The Evening Standard (London, England); 2/2/2004; 700+ words
; ...European art by artists of whom most visitors will never have heard and certainly never have seen - Claus Sluter and Melchior Broederlam among them - as well as acre after acre of truly dreadful provincial French painting. Survivals of Burgundian...
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Melchior Broederlam
Book article from: The Columbia Encyclopedia, Sixth Edition
Melchior Broederlam , active c.1381-1409, Franco-Flemish painter. Broederlam was among the first practitioners of the International...1387 to Philip the Bold, duke of Burgundy. Broederlam attempted to place figures in perspective, as...
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Broederlam, Melchior
Book article from: The Oxford Dictionary of Art
Broederlam, Melchior ( b Ypres, c. 1350; d Ypres, c. 1411). Netherlandish painter...is represented as an authentic peasant. Erwin Panofsky describes Broederlam as ‘the greatest of all pre- Eyckian panel painters insofar...
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Baerze, Jacques de
Book article from: The Oxford Dictionary of Art
...more elaborate of the two altarpieces has painted wings (1394–9) by Melchior Broederlam . De Baerze's style was more conservative than Broederlam's and his flat compositions, dominated by the richly gilded Gothic framework...
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Flemish art and architecture
Book article from: The Columbia Encyclopedia, Sixth Edition
...around the wealthy Burgundian court. It was the center of activity for such painters and manuscript illuminators as Melchior Broederlam, the Limbourg brothers, the Boucicaut master, Jean Malouel, and Jan van Eyck. Claus Sluter executed the famous...
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van Eyck
Book article from: The Columbia Encyclopedia, Sixth Edition
...influenced the art of Jan van Eyck include the frescoes of Tommaso da Modena in Treviso and the panel paintings of Melchior Broederlam and of Robert Campin . At the hands of van Eyck experimentation with realism resulted in an astounding minuteness...
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