The 1910s: The Arts: Publications

THE 1910s: THE ARTS: PUBLICATIONS

Frances Agnew, Motion Picture Acting (New York: Reliance Newspaper Syndicate, 1913);

David Belasco, The Theatre through Its Stage Door (New York: Harper, 1919);

Van Wyck Brooks, America's Coming-of-Age (New York: Huebsch, 1915);

Carolyn Caffin, Vaudeville (New York: Mitchell Kennerley, 1914);

Huntley Carter, The New Spirit in Drama and Art (New York: Mitchell Kennerley, 1913);

Vernon and Irene Castle, Modern Dancing (New York: Harper, 1914);

Anna Alice Chapin, Greenwich Village (New York: Dodd, Mead, 1917);

Sheldon Cheney, The New Movement in the Theater (New York: Mitchell Kennerley, 1914);

Francis Collins, The Camera Man (New York: Century, 1916);

Kenyon Cox, Artist and Public (New York: Scribners, 1914);

Homer Croy, How Motion Pictures Are Made (New York: Harper, 1918);

Joseph F. Daly, The Life of Augustin Daly (New York: Macmillan, 1917);

Ernest A. Dench, Making the Movies (New York: Macmillan, 1915);

Thomas H. Dickinson, The Case of American Drama (Boston: Houghton Mifflin, 1915);

Dickinson, The Insurgent Theatre (New York: Huebsch, 1917);

Max Eastman, The Enjoyment of Poetry (New York: Scribners, 1913);

Walter Prichard Eaton, Plays and Players: Leaves from a Critics Scrapbook (Cincinnati: Stewart St Kidd, 1916);

Arthur Jerome Eddy, Cubists and Post-Impressionists (Chicago: McClurg, 1914);

T. S. Eliot, Ezra Pound: His Metric and Poetry (New York: Knopf, 1917);

Waldo Frank, Our America (New York: Boni & Liveright, 1919);

V. C. Freeburg, Art of Photoplay Making (New York: Macmillan, 1918);

Daniel Frohman, Memories of a Manager (Garden City, N.Y.: Doubleday, Page, 1911);

Frohman and Isaac F. Marcosson, Charles Frohman, Manager and Man (New York: Harper, 1916);

Robert Grau, The Stage in the Twentieth Century (New York: Broadway Publishing, 1912);

Grau, The Theatre of Science (New York: Broadway Publishing, 1914);

Clayton Hamilton, Problems of the Playwright (New York: Holt, 1917);

Hamilton, Studies in Stagecraft (New York: Holt, 1914);

Arthur Hornblow, A History of the Theatre in America, 2 volumes (Philadelphia: Lippincott, 1919);

Winifred E. Howe, A History of the Metropolitan Museum of Art (New York: Metropolitan Museum of Art, 1913);

William Dean Howells, Years of My Youth (New York: Harper, 1916);

David S. Hulfish, Motion Picture Work (Chicago: American School of Correspondence, 1913);

James G. Huneker, The Philharmonic Society of New York and Its 75th Anniversary (New York: Philharmonic Society of New York, 1917);

Huneker, The Steinway Collection of Paintings by American ArtistSy Together with Prose Portraits of the Great Composers (New York: Steinway 8c Sons, 1919);

Henry James, Notes on Novelists (New York: Scribners, 1914);

Arthur Edwin Krows, Play Production in America (New York: Holt, 1916);

John Nilsen Laurvik, Is It Art? Post-Impressionism, Futurism, Cubism (New York: International Press, 1913);

Michael Bennett Leavitt, Fifty Years in Theatrical Management (New York: Broadway Publishing, 1912);

Austin Lescarboura, Behind the Motion Picture Screen (New York: Scientific American, 1919);

Vachel Lindsay, The Art of the Moving Picture (New York: Macmillan, 1915);

Amy Lowell, Tendencies in Modern American Poetry (New York: Macmillan, 1917);

Constance D. MacKaye, The Little Theater in the United States (New York: Holt, 1917);

Percy MacKaye, The Civic Theater (New York: Mitchell Kennerley, 1912);

Brander Matthews, A Book about the Theatre (New York: Scribners, 1914);

Matthews, Gateways to Literature, and Other Essays (New York: Scribners, 1912);

Arthur S. Meloy, Theatres and Motion Picture Houses (New York: Architects Supply & Publishing, 1916);

H. L. Mencken, The American Language (New York: Knopf, 1919);

Mencken, A Book of Prefaces (New York: Knopf, 1917);

Hugo Munsterberg, The Photoplay: A Psychological Study (New York: Appleton, 1916);

Brett Page, Writing for Vaudeville (Springfield, Mass.: Home Correspondence School, 1915);

Albert Bigelow Paine, Mark Twain, A Biography: The Personal and Literary Life of Samuel Langhorne Clemens (New York: Harper, 1912);

Henry Rankin Poore, The Conception of Art (New York: Putnam, 1913);

John B. Rathbun, Motion Picture Making and Exhibiting (Chicago: Thompson, 1914);

John Reed, The Day in Bohemia, or, Life among the Artists (New York: Hillacre, 1913);

Edward Renton, The Vaudeville Theatre (New York: Gotham Press, 1918);

Edward Le Roy Rice, Monarchs of Minstrelsy (New York: Kenny, 1911);

Monroe H. Rosenfeld, ed., The Tuneful Yankee (Boston, 1917);

Charles Schwartz and Louis D. Frohlich, The Law of Motion Pictures and the Theater (New York: Baker, Voorhis, 1918);

John Philip Sousa, Through the Years with Sousa (New York, 1910);

John Ranken Towse, Sixty Years of the Theater (New York: Funk &Wagnalls, 1916);

Max Weber, Essays on Art (New York: Rudge, 1916);

William Winter, The Life of David Belasco (New York: Moffat, Yard, 1918);

Winter, The Wallet of Time, Containing Personal, Biographical, and Critical Reminiscences of the American Theater (New York: Moffat, Yard, 1913);

Winter, ed., The American Stage of Today (New York: Collier, 1910);

Willard Huntington Wright, Modern Painting (New York: John Lane, 1915);

Marius de Zayas and Paul B. Haviland, A Study of the Modern Evolution of Plastic Expression (New York: 291, 1913).

Periodicals:

Art in America (1913-);

Christensen's Ragtime Review (1914-1916);

The Dial (1916-1920);

Drama Magazine (1911-1931);

The Glebe (1913-1914);

The Little Review (1914-1929);

Melody (1918-1934);

The Midland (1915-1933);

The Musical Quarterly (1915-);

Others: A Magazine of the New Verse (1915-1919);

Phonograph and Talking Machine Weekly (1916-1930s);

Photoplay (1911-1980);

Poetry (1912 -);

Poetry Journal (1912-1918);

The Poetry Review of America (1916-1917);

Rogue (March-September 1915);

The Seven Arts (1916-1917);

Slate (1917);

Soil (1916-1917);

Southwest Review (1915);

Theatre Arts (1916-1964);

291 (1915-1916);

The Unpopular Review (1914-1921);

Vanity Fair (1914-1936).