Hookworm in the South
HOOKWORM IN THE SOUTH
The Southern Disease
Hookworm is an aggressive intestinal parasite that causes physical and mental under-development and other symptoms such as dry hair, ulcered shins and feet, protruding shoulder blades and stomachs, and a general lack of energy. The hookworm contaminates soil through unsanitary privies or out-houses; primarily, victims become infected by walking through larvae-rich soil in bare feet. The disease was common in the rural American South after the Civil War. This "germ of laziness" or "ground itch" created a southern stereotype: poor, barefoot, lazy, deformed, and mentally deficient.
First Known American Cases
The parasite was first identified in Europe in the mid 1800s. A few American physicians suspected its presence in the United States as well, but the first confirmed case was not reported until Philadelphia physician Abe Blickhalm published an account in 1893. Other cases from Richmond and New Orleans soon appeared, and in 1901 Dr. Allen J. Smith diagnosed a sailor in Galveston, Texas. Smith believed this hookworm was a different species from the European parasite.
Recognition
One man, Dr. Charles Wardell Stiles, was primarily responsible for identifying the American hookworm and alerting the nation to its devastating effects. Born in North Carolina, Stiles became a zoologist with the Department of Agriculture's Bureau of Animal Industry. Even before Blickhalm's report in 1893, Stiles noticed that the symptoms of the hookworm disease he saw in animals were similar to those of many poor whites in the rural South. Stiles and Smith traded information via correspondence, and Stiles made a trip through the Gulf-Atlantic states to confirm his theory. In May 1902 Stiles, then the chief of the Division of Zoology of the U.S. Public Health Service, reported to the Pan-American Sanitary Congress that he had found the "germ
of laziness" and that hookworm disease was common in the American South.
Reactions
Stiles's announcement produced swift reactions. Some physicians and public officials praised the zoologist for pinpointing the cause of a serious health problem. Many southerners, however, were indignant and disgusted by the idea that their fellow citizens were infested with worms. Newspapers in the North and South turned the situation into an excuse for mocking editorials and cartoons.
Eradication
Stiles was convinced that an education campaign could solve the hookworm problem, but it took several years of effort on his part before he could convince any authorities to implement such a program. In 1908 Stiles was appointed by President Theodore Roosevelt to the Country Life Commission, a group formed to suggest ways to improve farm life. Through this appointment Stiles met Walter Hines Page, a crusading southern journalist. Page had connections at the General Education Board, a philanthropy funded by industrialist John D. Rockefeller. In October 1909 Rockefeller donated $1 million to fund the Rockefeller Sanitary Commission. This commission cooperated by invitation with state boards of health in creating education and eradication programs that helped hundreds of thousands of hookworm disease sufferers in the southern states. The commission operated until the end of 1914, by which time hookworm control was well advanced in those states. More than twenty years after Stiles's first suspicions about the "germ of laziness," his untiring efforts finally produced results.
Sources:
Mary Boccaccio, "Ground Itch and Dew Poison: The Rockefeller Sanitary Commission 1909-14," Journal of the History of Medicine and Allied Science, 27 (January 1972): 30-53;
James H. Cassedy, "The "Germ of Laziness" in the South, 1900-1915: Charles Wardell Stiles and the Progressive Paradox," Bulletin of the History of Medicine, 45 (1971): 159-169;
John Ettling, The Germ of Laziness: Rockefeller Philanthropy and Public Health in the New South (Cambridge, Mass.: Harvard University Press, 1981).
Cite this article
Pick a style below, and copy the text for your bibliography.
|
UN TEXTO DE LOPE DE RUEDA: MADRIGALEJO, MOLINA Y EL ALGUACIL EN EL PASO CUARTO DEL REGISTRO DE REPRESENTANTES
Magazine article from: Bulletin of the Comediantes; 1/1/2005; ; 700+ words
; En el paso cuarto del Registre de representantes de Lope de Rueda (publicado en Valencia, 1570, por Joan Timoneda), conocido habitualmente por el ttulo de Los lacayos ladrones, que le dio...
|
|
Political and gender transgressions in Lope de Vega's La varona castellana.(The Evolution of War and Its Representation in Literature and Film)(Critical essay)
Magazine article from: West Virginia University Philological Papers; 9/22/2004; ; 700+ words
; Lope de Vega's play, La varona castellana...legend and a ballad and lastly it inspired Lope to write his play creating one of the best...influence in the Spanish Theater. In Spain, Lope de Rueda's Los Enganados (1567) and Montemayor...
|
|
Data on heart transplants detailed by O. Cano and co-authors.(Report)
Newspaper article from: Heart Disease Weekly; 1/18/2009; 700+ words
; ...Patients. Transplantation Proceedings, 2008;40(9):3012-3013). For additional information, contact O. Cano, C Lope Rueda 48-3, Valencia 46001, Spain. The publisher of the journal Transplantation Proceedings can be contacted at: Elsevier...
|
|
Ejercicios de estío: aunque los españoles, según los últimos estudios, no asociamos la lectura al ocio, es evidente que la disponibilidad de las vacaciones nos quita la habitual coartada de la falta de tiempo para leer. Aquí ofrecemos unas sugerencias repartidas por géneros. (libros).(TT: Summertime recreation: although most Spaniards do not associate reading with leisure, summer is the ideal time to catch up on your reading. Here are a few suggestions by genre. (Books).)
Magazine article from: Epoca; 8/10/2001; ; 700+ words
; ...madre. Alejada del costumbrismo, forma parte de la corriente renovadora contempornea. Las cuatro comedias Lope de Rueda. Ctedra Lope de Rueda saca el mximo provecho en sus comedias en prosa a la figura del "bobo", cuya comicidad se entremezcla...
|
|
A Star-Crossed Golden Age: Myth and the Spanish Comedia.(Review)(Brief Article)
Magazine article from: The Modern Language Review; 1/1/2000; ; 700+ words
; ...highlights the artistic merit of Lope de Rueda's Las aceitunas; Francisco J...to uncover three types of myth in Lope's El perro del hortelano; Gordon...combination of hagiography and myth in Lope's Santa Casilda; Darci L. Strother...
|
|
Feminizing the Enemy: Imperial Spain, Transvestite Drama, and the Crisis of Masculinity
Magazine article from: Bulletin of the Comediantes; 1/1/2005; ; 700+ words
; ...as well as dedicated to studies of Lope de Rueda's Comedia Medora and Comedia de...of them frequently studied, are Lope de Vega's El paraso de Laura y...Basing much of his discussion of Lope's El paraso de Laura on the important...
|
|
Crisis del sistema.(mala gestión gubernamental de José Luis Rodríguez Zapatero)
Magazine article from: Epoca; 9/2/2005; ; 700+ words
; ...liberticida Estatut cataln, tregua de ETA y rendicin de un Estado en almoneda. Epifenmenos. Entremeses teatrales de Lope de Rueda. La cuestin de fondo es la crisis del sistema, del que Zapatero no es su gloria sino su miseria. Entiendo por sistema...
|
|
Un esclavo llamado Cervantes.(TT: A Slave Named Cervantes)
Magazine article from: Américas (Spanish Edition); 3/1/1997; 700+ words
; ...una especie de burdel en el que sus hijas atendan visitantes ricos. Alrededor de esta poca la compaa teatral de Lope de Rueda efectuaba presentaciones en distintas ciudades espaolas, y Miguel conoci a Pedro Montiel, conocido por sus efectos...
|
|
ESCENIFICACIÓN CORPORAL Y AUTORREFERENCIALIDAD EN EL ENTREMÉS LA CASA HOLGONA DE PEDRO CALDERÓN DE LA BARCA
Magazine article from: Bulletin of the Comediantes; 1/1/2006; ; 700+ words
; ...costumbres" (40). Asensio atribuye el origen del entrems como gnero literario a las obras y los tipos teatrales de Lope de Rueda. As pues, el entrems vacila entre dos formas: "el uno, la pintura de la sociedad contempornea con su habla y costumbres...
|
|
Modern National Discourse and La muerte de Artemio Cruz: The Illusory "Death" of African Mexican Lineage1
Magazine article from: Afro - Hispanic Review; 4/1/2004; ; 700+ words
; ...on the basis of how "white" a person is perceived to be, is a "tradition dramatized in Hispanic literature from Lope de Rueda's Eufemia (1576) to the present" ("Black Phobia" 467). he has found in Latin American literature that the...
|
|
Lope de Rueda
Book article from: The Columbia Encyclopedia, Sixth Edition
Lope de Rueda see Lope de Rueda .
|
|
Rueda, Lope de
Book article from: The Concise Oxford Companion to the Theatre
Rueda, Lope de ( c. 1505–65), Spain's first actor-manager and popular...commedia dell'arte actor Ganassa to visit Spain with his troupe in 1574. Rueda's dialogue, mainly in prose, is natural, easy, and idiomatic, with...
|
|
Gracioso
Book article from: The Concise Oxford Companion to the Theatre
...immediate ancestor appears to be the bobo or rustic clown of Lope de Rueda's interludes, or pasos . He first appears in the plays...contemporaries, particularly Torres Naharro . In works by Lope de Vega , who did not as he claims introduce the gracioso...
|
|
Paso
Book article from: The Concise Oxford Companion to the Theatre
...repartee, and the use of a few well-known types from the commedia dell'arte . One of the chief characters was the bobo or rustic clown, who became the gracioso of the entremés . The best-known writer of pasos was Lope de Rueda .
|
|
Fairs
Book article from: The Concise Oxford Companion to the Theatre
...Italy the itinerant commedia dell'arte troupes, and in Spain the travelling companies of such actor-managers as Lope de Rueda , were in evidence wherever a captive audience could be found.
|