Atwell, Debby 1953-
ATWELL, Debby 1953-
Personal
Born May 28, 1953, in Providence, RI; daughter of Peter Butler, II (a businessman) and Frances (a teacher; maiden name, Swift) Olney; married David Lewis Atwell (a carpenter); children: Nathanael, Olney, Tegan. Education: University of New Hampshire, B.F.A., 1976. Politics: Democrat. Religion: Christian.
Addresses
Home —81 Pleasant St., Rockland, ME 04841.
Career
Children's book writer and illustrator; iconographer.
Writings
self-illustrated
Barn, Houghton Mifflin (Boston, MA), 1996.
River, Houghton Mifflin (Boston, MA), 1999.
Pearl, Houghton Mifflin (Boston, MA), 2001.
The Thanksgiving Door, Houghton Mifflin (Boston, MA), 2003.
illustrator
David Lewis Atwell, The Day Hans Got His Way, Houghton Mifflin (Boston, MA), 1992.
David Lewis Atwell, Sleeping Moon, Houghton Mifflin (Boston, MA), 1994.
Sidelights
Debby Atwell is an author-illustrator whose folk art paintings well suit her themes of American history through individual perspective. Atwell began her work with children's books by illustrating two titles by her husband. Since then she has written and self-illustrated several more picture books in a style that a Publishers Weekly reviewer described as "a sort of Currier & Ives meets Grandma Moses." In books such as Barn, River, and Pearl, Atwell helps young readers to understand how things change and how they stay the same through a broad sweep of time.
Barn, Atwell's first self-illustrated work, tells the story of a barn from its construction during the Revolutionary War to its present-day use in the suburbs of a big city. What gives the tale its immediacy is the way it is told: the barn is the narrator, even after it burns to the ground and is reincarnated as a home for horses. In Booklist, Shelley Townsend-Hudson called Barn a "moving story … unusual and warm." A Publishers Weekly reviewer likewise felt that the text and pictures "exude tranquility."
River and Pearl follow the same format as Barn. In River, a third-person narrator describes how the river changes from a clean home for fish and animals to a polluted, over-used victim of the Industrial Revolution. Near the book's end, however, a group of people decide to clean up the waterway and restore it to life. Booklist contributor Carolyn Phelan found Atwell's illustratons in this work "particularly haunting in their evocation of place." In Pearl, the narrator is Pearl herself. She tells her family history from her grandfather's encounter with George Washington to her own birth during the
Civil War, and onward to the twentieth century and the birth of her great-granddaughter. In Booklist, Lauren Peterson deemed Pearl a "thoroughly entertaining over-view of American history" that "humanizes" events that might otherwise baffle youngsters. Dorian Chong in School Library Journal liked the illustrations, calling them "highly detailed and charmingly evocative of the past." A Publishers Weekly critic awarded Pearl a starred review, concluding: "Brimming with patriotism and hope, this is a gem."
The Thanksgiving Door follows Ann and Ed, an elderly couple, to the New World Café after Ann accidently burns Thanksgiving dinner. At first, the restaurant's proprietors hesitate to welcome their guests, but after a scolding from Grandma, Ann and Ed are invited to join the family for food, dance, and general celebration of what Grandma calls an "old country Thanksgiving." Writing for School Library Journal, Bina Williams deemed Atwell's illustrations "luminous," while a reviewer for Publishers Weekly concluded, "all will likely tap into the acts of kindness that contribute to Atwell's economically told tale."
Atwell once told SATA: "There are so many talented children's artists and authors that it is difficult to carve a niche truly one's own in the world. My aim is to intrigue the child's mind with a story they can't predict, and do my best to make pictures that hold their attention. All the intangibles, I just hope for."
Biographical and Critical Sources
periodicals
Booklist, October 1, 1996, Shelley Townsend-Hudson, review of Barn, p. 357; November 1, 1999, Carolyn Phelan, review of River, p. 537; May 1, 2001, Lauren Peterson, review of Pearl, p. 1690; October 1, 2003, GraceAnne A. DeCandido, review of The Thanksgiving Door, p. 325.
New York Times Book Review, September 16, 2001, Mary Harris Russell, review of Pearl, p. 27.
Publishers Weekly, August 10, 1992, review of The Day Hans Got His Way, p. 69; September 2, 1996, review of Barn, p. 129; September 6, 1999, review of River, p. 102; February 26, 2001, review of Pearl, p. 85; October 8, 2001, review of Barn, p. 67; September 22, 2003, review of The Thanksgiving Door, p. 65.
School Library Journal, June, 2001, Dorian Chong, review of Pearl, p. 100; September, 2003, Bina Williams, review of The Thanksgiving Door, p. 166.*
Cite this article
Pick a style below, and copy the text for your bibliography.
|
Marcel Duchamp's strange monument to eros; Duchamp's strange ode to eros ; In secrecy the artist created 'Etant donnes' between 1946 and '66
Newspaper article from: International Herald Tribune; 9/1/2009; ; 700+ words
; ...Herald Tribune 09-01-2009 Marcel Duchamp's strange monument to eros...So ran a mash note written to Marcel Duchamp in 1923 by the Baroness Elsa von...exhibition at the museum called "Marcel Duchamp: Etant donnes," which, among...
|
|
'INVENTING MARCEL DUCHAMP: THE DYNAMICS OF PORTRAITURE' AT NATIONAL PORTRAIT GALLERY MARCH 27 THROUGH AUG. 2
News Wire article from: US Fed News Service, Including US State News; 1/29/2009; 700+ words
; ...following press release: "Inventing Marcel Duchamp: The Dynamics of Portraiture...influence of French-American artist Marcel Duchamp (1887-1968). The exhibition...of works in this exhibition. "Marcel Duchamp profoundly changed the world...
|
|
The Marcel Duchamp Joke Just Isn't Funny Anymore.(Arts&Entertainment)
Newspaper article from: The New York Observer (New York, NY); 11/8/1999; 700+ words
; Byline: Hilton Kramer "Marcel Duchamp," writes Francis M. Naumann...s latest opus on the artist, Marcel Duchamp: The Art of Making Art in the...mounted to mark its publication. "Marcel Duchamp professed an aversion to any form...
|
|
Disguise and display: recent publications detail a long-neglected aspect of Marcel Duchamp's seminal oeuvre--installation design as a work of art. (Duchampiana I).(analysis)(Critical Essay)
Magazine article from: Art in America; 3/1/2003; ; 700+ words
; Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and Surrealist...2001; 259 pages, $34.95. Marcel Duchamp: In the Infinitive--A Typotranslation...Richard Hamilton and Ecke Bonk of Marcel Duchamp's White Box, Northend, The...
|
|
The Complete Works of Marcel Duchamp, 2 vols, 3d rev. ed.
Magazine article from: Artforum International; 4/1/1998; ; 700+ words
; ...can be happy. His relation to Marcel Duchamp has by now become a permanent...was hardly the first to come to Duchamp with an idea for a book. Robert...was at work on his monograph Sur Marcel Duchamp, Michel Sanouillet was editing...
|
|
Multiple personalities; Marcel Duchamp's changing disguises unmasked at National Portrait Gallery.(ARTS & CULTURE)(ART)(Column)
Newspaper article from: The Washington Times; 5/31/2009; 700+ words
; ...Byline: Deborah K. Dietsch , THE WASHINGTON TIMES Marcel Duchamp assumed wildly different identities throughout his...are just a few of the personas presented in Inventing Marcel Duchamp: The Dynamics of Portraiture at the National Portrait...
|
|
Marcel Duchamp: l'art et ses echecs vers la quatrieme dimension poetique.
Magazine article from: The Romanic Review; 5/1/1997; ; 700+ words
; Marcel Duchamp abandonne la peinture malgre la vente...Etats-Unis n'a pourtant pas rehabilite Duchamp aux yeux de la critique francaise qui...dimensions. Cet episode de la vie de Duchamp est, d'une certaine facon, a l'image...
|
|
The Complete Works of Marcel Duchamp.
Magazine article from: Art in America; 1/1/1998; ; 700+ words
; ...Belgian collector. Knowing of my interest in the work of Marcel Duchamp, he showed me one or two items by the artist in his...contemporary art. When I was introduced as an expert on Marcel Duchamp, the son thought for a moment and then asked: "Isn...
|
|
Postmodernism and the En-Gendering of Marcel Duchamp.
Magazine article from: Art in America; 9/1/1994; ; 700+ words
; DUCHAMP'S LEGACY Anyone who has encountered the art of Marcel Duchamp will have had the uncanny impression...Postmodernism and the En-Gendering of Marcel Duchamp. At the center of Jones's argument...
|
|
"Joseph Cornell/Marcel Duchamp... in resonance.".(Philadelphia Museum of Art, Philadelphia, Pennsylvania)
Magazine article from: Artforum International; 6/22/1999; ; 700+ words
; ...asked, in 1961, whether he wanted to destroy art, Marcel Duchamp replied: "I don't want to destroy art for anybody...he defaced it, much as he defaced himself, replacing Marcel with a more gamine, photographic other, Rrose Selavy...
|
|
Marcel Duchamp
Encyclopedia entry from: Encyclopedia of World Biography
Marcel Duchamp The French painter Marcel Duchamp (1887-1968) asked questions about the importance and...originality. He was a major influence on 20th-century art. Marcel Duchamp was born on July 28, 1887, the son of a notary of Rouen...
|
|
Duchamp, Marcel
Book article from: A Dictionary of Twentieth-Century Art
Duchamp, Marcel (1887–1968...rather than to applaud. Duchamp was born at Blainville...an amateur engraver, and Marcel's two brothers and one...artists— Suzanne Duchamp , Raymond Duchamp-Villon...
|
|
Raymond Duchamp-Villon
Encyclopedia entry from: Encyclopedia of World Biography
...Gaston, who took the name of Jacques Villon, and Marcel Duchamp. Their father encouraged them to follow careers...Guggenheim Museum published Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp (1956), an exhibition catalog with a short...
|
|
Duchamp-Villon, Raymond
Book article from: The Oxford Dictionary of Art
Duchamp-Villon, Raymond ( b Damville, Eure, 5 Nov. 1876...Cannes, 7 Oct. 1918). French sculptor, the brother of Marcel Duchamp and of Jacques Villon (he adopted the name Duchamp-Villon in about 1900). After illness forced him to...
|
|
Duchamp, Suzanne
Book article from: A Dictionary of Twentieth-Century Art
Duchamp, Suzanne (1889–1963). French painter, the sister of Marcel Duchamp , Raymond Duchamp-Villon , and Jacques Villon . She...and as a wedding present her brother Marcel sent instructions for an ‘...
|