Henry Ford II
Henry Ford II
Henry Ford II (1917-1987) was an American industrialist. He turned his grandfather's faltering automobile company into the second largest industrial corporation in the world.
Henry Ford II was born in Detroit, Michigan on September 4, 1917, the grandson of the automobile pioneer Henry Ford. After graduation from the Hotchkiss School in Lakeville, Connecticut, in 1936, Henry entered Yale University, where he specialized in sociology, a study that evidently influenced him a great deal. He lacked sufficient credits to graduate but left college anyway in 1940 to marry and begin work at the family firm, the Ford Motor Company.
In 1941 Ford was drafted and became an ensign at the Great Lakes Naval Training School. Meanwhile, conditions at the family firm—which had been losing money under the autocratic control of his grandfather—deteriorated further. A crisis was reached with the death of Ford's father in 1943. President Franklin D. Roosevelt's Cabinet deactivated Ford from the Navy so that he could aid in operating the company in its war work. Thus, at the age of 25 Ford was thrown into a situation for which he had little preparation. However, he was able to win his grandfather's confidence and grasp control of the chaotic, nebulous organization.
In September 1945 Henry Ford II became president of the Ford Motor Company and began recruiting an expert management team. By 1949 the company had been revitalized and restructured, and it had produced a new car comparable to the Model T and Model A. During the 1950s the firm moved into second place in automobile sales and became the industry's leader in product innovation. By 1960 Ford was so confident that he began to assume a one-man control reminiscent of that of his grandfather.
However, the younger Ford's individualism was tempered by a strong sense of social responsibility, which he had expressed publicly since his earliest days in business. He served as an alternate delegate to the United Nations under President Dwight D. Eisenhower in 1953 and as chairman of the National Alliance for Businessmen (which sought jobs for the unemployed) under President Lyndon B. Johnson in 1968. The 1970s saw Ford add the problems of pollution and environmental control to his earlier concerns for labor relations, business ethics, international trade, and civil rights.
Ford retired from his presidency in 1960, although he remained active in the business. He was named chairman of the board and chief executive officer, until he retired from Ford Motor Company in 1979. He died in 1987.
Further Reading
There is no biography of Ford. The best account of his life and early business career is found in Allan Nevins and Frank E. Hill, Ford: Decline and Rebirth, 1933-1962 (1963). Less scholarly but more recent is Booton Herndon, Ford: An Unconventional Biography of the Men and Their Times (1969), which offers many revealing insights into Ford's personality and character. □
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Tullio Pagano. Experimental Fictio: from Emile Zola's Naturalism to Giovanni Verga's Verism.(Book Review)
Magazine article from: Italian Culture; 12/22/2002; ; 700+ words
; ...Fictio: From Emile Zola's Naturalism to Giovanni Verga's Verism. Madison-Teaneck, NJ: Fairleigh Dickinson UP; London...delineates the main aspects of the debate on Naturalism and Verism and surveys the major critical responses to the two authors...
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Tullio Pagano. Experimental Fictions: From Emile Zola'a Naturalism to Giovanni Verga's Verism.(Book review)
Magazine article from: Annali d'Italianistica; 1/1/2000; ; 700+ words
; ...Experimental Fictions: From Emile Zola'a Naturalism to Giovanni Verga's Verism. Fairleigh Dickinson UP, 1999. Pp. 189. The ostensible objectivity of both Naturalism and Verism does not constitute ideological neutrality. Building upon a critical...
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The Cinema of Jean Cocteau: Essays on His Films and Their Coctelian Sources.(Book Review)(Brief Article)
Magazine article from: The Modern Language Review; 10/1/2002; ; 700+ words
; ...which offers an impressively rich and clear account of the key modalities of Cocteau's film-making (such as realism, verism, poetry, and autobiography), and Rebecca Conolly's powerful feminist study of Orphee (pp. 145-62), 'Servicing Orpheus...
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Priest.
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; ...athletic. Jimmy McGovern's dialogue is by turns pungent and poignant and always well-served by a cast dedicated to unfussy verism. But - paradox one - though the filmmaking is precise, the storytelling is diffuse.. In fact, there are three stories in...
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; ...Puiu's quasi-absurdist masterpiece of 2005, The Death of Mr. Lazarescu--world-weary humanism, dark humor, stylized verism, the unassuming capaciousness of a down-home comedie humaine--that the two directors have been enlisted as the twin standard...
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Joe Turner's Come and Gone. (Ethel Barrymore Theater, New York)
Magazine article from: The New Leader; 4/18/1988; ; 700+ words
; ...boarding house is Pittsburgh circa 1911, yet what it really takes you back to is the period several decades ago when unrelieved "verism" dominated the American stage. Strange as it seems today, critics and spectators used to regard the pathological accuracy...
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The Bronzes of Pier Jacopo Alari-Bonacolsi, Called Antico.
Magazine article from: Renaissance Quarterly; 6/22/1997; ; 700+ words
; ...Pius fits comfortably with the rest of Antico's oeuvre, the other three display an interest in characterization, a kind of verism that is not otherwise evident in Antico's work, not even in his medallic portraits. Allison's monograph is handsomely...
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Glitter and Doom, German Portraits from the 1920s
Magazine article from: German Quarterly; 4/1/2007; ; 700+ words
; ...from November 14,2006, through February 19, 2007, closely connected the "new objectivity" of the Weimar painters to the verism of photography. The portraits showcased in this important exhibit display disturbing images of an era bracketed by the carnage...
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Opera simmers with passion and intrigue
Newspaper article from: Evening News - Scotland; 3/18/1999; ; 637 words
; ...great starter for newcomers top opera. Both operas also happen to be classic examples of a late 19th century "ism" called "verism", where everyday people in familiar situations end up acting violently when emotional. Eastenders again. Director Rita Henderson...
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Ida Applebroog at Nathalie Pariente.(Brief Article)
Magazine article from: Art in America; 3/1/2001; ; 700+ words
; ...deceptively simple, almost cartoonlike figures intensifies their aura of menace and dread. At the same time, the striking verism of bodily gesture, her ability to suggest movement and animation, and her use of serial imagery produce a quasi-cinematic...
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verism
Book article from: The Concise Oxford Dictionary of Art and Artists
verism. An extreme form of realism , in which the artist makes it his aim to reproduce with rigid truthfulness the exact appearance of...
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Verism
Book article from: A Dictionary of Twentieth-Century Art
Verism. An extreme form of realism in which the artist tries to reproduce the exact appearance of a subject with rigid truthfulness and...
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Neo-Verism
Book article from: A Dictionary of Twentieth-Century Art
Neo-Verism. See NEO-REALISM .
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realism
Book article from: The Oxford Dictionary of Art
...illusionism. This usage is found mainly in the terms New Realism and Nouveau Réalisme, which have been applied to works made of materials or objects that are presented for exactly what they are and are known to be. See also verism .
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Neo-Realism
Book article from: A Dictionary of Twentieth-Century Art
...Realism or Nouveau Réalisme . In Werner Haftmann's Painting in the Twentieth Century (1961) it is used more or less as a synonym for Neue Sachlichkeit . Haftmann uses the term ‘Neo-Verism’ in a similar way.
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