Mark Wayne Clark
Mark Wayne Clark
The American army officer Mark Wayne Clark (1896-1984) held important commands in Europe and Asia and became one of America's leading anti-Communist propagandists.
Mark Clark was born in Madison Barracks, N.Y., on May 1, 1896. After graduating from the U.S. Military Academy in 1917, he fought during World War I as an infantry officer in France, where he was wounded and decorated. He attended the Army's postgraduate schools between the wars and was widely known as a competent, ambitious officer.
In June 1942 Clark became Gen. Dwight Eisenhower's deputy for the invasion of French North Africa that began on Nov. 8, 1942. The next day Clark—whose code name, "Eagle," fitted both his personality and his appearance, since he had a thin but prominent nose—flew into Algiers, where he worked out an armistice with the French. The basis of the deal was American recognition of the French fascist Adm. Jean Darlan as governor of French North Africa. The "Darlan deal" brought a storm of abuse on Clark's and Eisenhower's heads; placing a fascist in charge of the first territory occupied by the Americans in World War II appeared to make a mockery of the principles for which the Allies claimed to be fighting. After Darlan's assassination on Dec. 24, 1942, the indignation faded.
Much to his annoyance, Clark did not hold a combat command in either the Tunisian or Sicilian campaigns. Instead, Eisenhower had him train the U.S. 5th Army for the invasion of Italy that would begin on Sept. 8, 1943.
At the outset Clark's forces just managed to cling to their first beachhead at Salerno south of Naples, and the Italian campaign that followed was one of endless frustration. Clark and the British forces on his right flank were always short of supplies and manpower, and progress up the Italian peninsula was painfully slow. Not until June 5, 1944, did Clark drive the Germans from Rome, a feat almost ignored by the world since the Normandy invasion began the next day. During the remainder of 1944 and the first 4 months of 1945, Clark's troops crept up the peninsula,
forgotten by most of the world. For a man of Clark's ambition and keen desire for publicity, it was a trying time.
After the German surrender Clark became commander in chief of the American occupation forces in Austria. He quickly adopted an attitude of extreme hostility toward his Soviet counterparts on the Allied Control Commission for Austria. He was impatient with what he called the "cream puff and feather duster approach to communism" and advocated a get-tough policy with the Russians. He loudly protested against what he considered to be the "appeasement" of the Soviet Union by the United States.
In 1947 Clark served as deputy secretary of state, meeting with the Council of Foreign Ministers to negotiate a peace treaty for Austria. No progress was made at the talks, and late in the year Clark returned to the United States to take command of the 6th Army. Two years later he became chief of Army Field Forces, which made him responsible for the training of the Army. In the spring of 1952 he became commander in chief of the United Nations command in Korea, as well as commanding general of the U.S. Army Forces in the Far East. By the time Clark took over in Korea there was a virtual stalemate on the battlefront, and his major concerns were a prisoner-of-war mutiny and the armistice negotiations. On the military front his tactic was to inflict maximum casualties on the Chinese enemy. Fourteen months after he arrived, he signed the armistice agreement and fighting ended. Clark was unhappy with the outcome of the Korean War. He had hoped the United Nations would be able to defeat the North Koreans and Chinese and reunify Korea under Syngman Rhee.
Clark left the Army in 1954 to become president of the Citadel Military College of South Carolina, a position he held until his retirement in 1966. He remained a prominent anti-Communist, especially sensitive to what he considered a serious threat of communism from within the United States. He died on April 17, 1984.
Further Reading
Clark wrote two volumes of memoirs: Calculated Risk (1950), a full and sprightly account of his World War II career, and From the Danube to the Yalu (1954), in which he describes his dealings with the Communists from 1946 to 1953. Kenneth G. Crawford, Report on North Africa (1943), and Alan Moorehead, The End in Africa (1943), provide information on the North African campaign. For general background on the war in Italy see Pietro Badoglio, Italy in the Second World War: Memories and Documents (trans. 1948), and Chester G. Starr, ed., From Salerno to the Alps: A History of the Fifth Army (1948). □
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New copies by Leonardo after Pollaiuolo and Verrocchio and his use of an ecorche model: some notes on his working method as an anatomist.
Magazine article from: Apollo; 1/1/2004; ; 700+ words
; ...show his indebtedness to Antonio del Pollaiuolo, the study of the relationship between...anatomical knowledge far surpassed that of Pollaiuolo, he continued to turn to the older...a sack full of nuts', he hinted at Pollaiuolo's anatomically inaccurate renderings...
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Battle of the Nudes: Pollaiuolo's Renaissance Masterpiece
Magazine article from: The Virginia Quarterly Review; 7/1/2003; ; 356 words
; Battle of the Nudes: Pollaiuolo's Renaissance Masterpiece, by...art in the 15th century, Antonio Pollaiuolo is overshadowed by Leonardo and...copiously illustrated book places Pollaiuolo's print in its artistic context...
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More than mastery of the nude: David Ekserdjian reviews the first comprehensive account of the art of Antonio and Piero Pollaiuolo, which bravely tackles the challenging problems of attribution in the careers of two artists who worked with great skill in many media.(The Pollaiuilo Brothers: The Arts of Florence and Rome)(Book Review)
Magazine article from: Apollo; 1/1/2006; ; 700+ words
; ...Nude, Kenneth Clark writes of Antonio Pollaiuolo's Hercules compositions that 'These...and indeed the less talented Piero--Pollaiuolo have not received the recognition they...with writing about Antonio and Piero Pollaiuolo. The first is that the attribution...
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the arts 1: The art of spin Mark Irving reveals the secret stories of politics and power struggles behind the Medicis' Renaissance masterpieces
Newspaper article from: The Independent - London; 10/9/1999; ; 700+ words
; ...2885) Hercules and Deianeira, by Antonio del Pollaiuolo The Pollaiuolo brothers (Antonio and Piero) catered for the...and was the subject of three enormous paintings Pollaiuolo executed in the 1460s for the great hall of the...
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Golden decade
Magazine article from: The Spectator; 10/30/1999; ; 700+ words
; ...sculpture. Verrocchio and Antonio del Pollaiuolo -- the leading artists in the 1470s...produced an amazing variety of art. Pollaiuolo, starting off as a goldsmith, went...Florence, got from elsewhere. The rival Pollaiuolo workshop - including Antonio and his...
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Making an impression; REVIEW: The Jones Print Collection at the Minneapolis Institute of Arts has more than 6,000 works. A show celebrating the opening of the expanded museum displays 200 of them, the largest sampling on view in 90 years.(SCENE)
Newspaper article from: Star Tribune (Minneapolis, MN); 6/2/2006; ; 700+ words
; ...Whistler and others. Among the 15th-century Italians, Antonio Pollaiuolo's "Battle of the Nudes" broke new ground because of its...purpose of donating it to the Minneapolis Institute of Arts. Pollaiuolo, Mantegna, Durer, Rembrandt, Cranach the Elder, Ribera...
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Books THE pick of the new art books lead all the way from 15th- century florence to 21st-century southwold, says Martin gayford
Newspaper article from: The Sunday Telegraph London; 11/27/2005; ; 700+ words
; ...making this the most festive art book of the season. The Pollaiuolo Brothers: The Arts of Florence and Rome by Alison Wright...sinewy nudes led on to Michelangelo's muscle-men. But the Pollaiuolo brothers spread their abilities widely; they were sculptors...
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From Gauguin to Gormley plus all the vexations of art; Books: A deeper look at Rubens and the best account yet of Francis Bacon's early years stand out among this season's art books.
Newspaper article from: The Evening Standard (London, England); 12/12/2005; 700+ words
; ...behind, but I pay homage to it because I understood almost nothing. Alison Wright THE POLLAIUOLO BROTHERS Yale, [pounds sterling]50 Antonio and Piero Pollaiuolo are not the easiest painters on whom to write a readable book. Florentines astride...
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Arts: Seen any good jokes recently? Humour in the visual arts usually means cartoons, comics and caricatures. But can we ever see the joke in pictures?
Newspaper article from: The Independent - London; 8/15/2000; ; 700+ words
; ...possible, I'll be explaining them to death. Antonio del Pollaiuolo's Apollo and Daphne, for instance, in the National Gallery...impulse to laugh is only a slight wrong turning. And the Pollaiuolo picture, at least, has the plausible ingredients of a pictorial...
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FAMILIES: The horses that broke feminism's back STAYING AFLOAT
Newspaper article from: The Independent - London; 7/15/2002; ; 700+ words
; ...National Gallery, on a cultural quest. We've come to look at Pollaiuolo's picture Apollo and Daphne, since we're doing Myths...toes turned to twigs? Did her clothes get all ripped?" Pollaiuolo's version of events settles some questions but raises others...
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Antonio Pollaiuolo
Encyclopedia entry from: Encyclopedia of World Biography
Antonio Pollaiuolo Antonio Pollaiuolo (ca. 1432-1498), Italian painter, sculptor, goldsmith...appealed especially to the circle of Lorenzo de' Medici. Antonio Pollaiuolo was born in Florence. Most of the dated documents refer to...
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Pollaiuolo
Book article from: The Columbia Encyclopedia, Sixth Edition
Pollaiuolo , family of Florentine artists. Jacopo Pollaiuolo was a noted 15th-century goldsmith. His son and pupil Antonio Pollaiuolo, 1429?-1498, goldsmith, sculptor, painter, and engraver, became head of one of the foremost Florentine...
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Pollaiuolo, Antonio
Book article from: The Concise Oxford Dictionary of Art and Artists
Pollaiuolo, Antonio ( c. 1432–98) and Piero ( c. 1441– c. 1496). Florentine artists, brothers, who jointly...
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Cronaca, Simone del Pollaiuolo
Book article from: A Dictionary of Architecture and Landscape Architecture
Cronaca, Simone del Pollaiuolo called Il (1457–1508). Florentine architect. He worked with Giuliano da Sangallo on the octagonal sacristy of Santo...
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Andrea del Verrocchio
Encyclopedia entry from: Encyclopedia of World Biography
...Rossellino in the Prato Cathedral. In 1477 Verrocchio competed with Piero Pollaiuolo for the monument of Cardinal Niccol ò Forteguerri in Pistoia. Although Pollaiuolo's design was accepted, Lorenzo de' Medici ordered the one by Verrocchio...
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