Chekhov, Anton Pavlovich

CHEKHOV, ANTON PAVLOVICH

(1860–1904), short-story writer and dramatist.

Anton Pavlovich Chekhov was the author of several hundred works of short fiction and of several plays that are among the most important and influential dramatic works of the twentieth century. He was also a noted public figure who in his opinions and actions often challenged notions that were dominant in Russian social thought of the time.

Chekhov was born the grandson of a serf, who had purchased his freedom prior to the emancipation of the serfs, and the son of a shop owner in the Black Sea port of Taganrog, a town with a very diverse population. He received his primary and secondary education there, first in the parish school of the local Greek church, and from 1868 in the Taganrog Gymnasium, where his religion instructor, a Russian Orthodox priest, introduced his students to works of Russian and European literature. In 1876 his father declared bankruptcy, and the family moved to Moscow to avoid creditors. Chekhov remained in Taganrog to finish at the Gymnasium. During this period, he apparently read literature intensively in the Taganrog public library and began to write works of both fiction and drama. In 1879 Chekhov completed the Gymnasium, joined his family in Moscow, and began study in the medical department of Moscow University.

Chekhov later credited his medical education with instilling in him a respect for objective observation and attention to individual circumstances. While in medical school, at the suggestion of his elder brother Alexander, a journalist, Chekhov began to contribute to the so-called satirical journals, weekly periodicals that appealed primarily to lower-class urban readers with a mix of drawings, humorous sketches, and other brief entertainment items. By the time Chekhov finished his medical courses in 1884, he was already established as a successful writer for the satirical journals and was the primary support for his parents and siblings. Although Chekhov never entirely abandoned medicine, by the mid-1880s he devoted his efforts mainly to his career as a writer, gradually gaining access to increasingly serious (and better-paying) newspapers and journals, most notably in New Times, published by the influential newspaper magnate Alexei Suvorin, and then in various "thick journals." Chekhov first appeared in a thick journal in 1888 with his long story "The Steppe," published in the Populist journal Northern Herald. From that point on, Chekhov received increasing renown as the most significant, if problematic, author of his generation. Through his objectivity and techniques of economy and implication, as well as the increasing seriousness and complexity of his themes, Chekhov emerged as a founder of the modern short story and one of the most influential practitioners of the form. Such works as "Sleepy," "The Steppe," "The Name-Day Party" (all 1888), "A Boring Story" (1889), "The Duel" (1891), "The Student" (1894), "My Life" (1896), and "The Lady with a Lapdog" (1899) rank among the greatest achievements of short fiction.

In drama, after hits with several one-act farces but mediocre success with serious full-length plays, Chekhov emerged as an innovator in drama with the first of his four major plays, The Seagull (1895). Although the first production in Petersburg in 1896 continued Chekhov's string of theatrical failures, a new production by the newly formed Moscow Art Theater in 1898, based on new principles of staging and acting, won belated recognition as a new departure in drama. Subsequent Moscow Art Theater productions of Uncle Vanya (staged 1899), Three Sisters (1901), and The Cherry Orchard (1904) solidified Chekhov's reputation as a master of a new type of drama and led to the worldwide influence of his plays and of Moscow Art Theater techniques. In addition, Chekhov's association with the Moscow Art Theater led to his marriage to one of the theater's actresses, Olga Leonardovna Knipper, in 1901.

In addition to his strictly literary activity, Chekhov also was engaged in a number of the social issues of his day. For instance, he assisted schools and libraries in his hometown of Taganrog, Melikhovo (the village near his estate), and Yalta, and served as a district medical officer during a cholera out-break while he was living at Melikhovo. He also initiated practical programs for famine relief during a crop failure in 1891 and 1892. Earlier, in 1890, he undertook the arduous journey across Siberia to the island of Sakhalin, which served at the time as a Russian penal colony. There Chekhov conducted a detailed sociological survey of the population and eventually published his observation as a book-length study of the island and its inhabitants, The Island of Sakhalin (1895), a work that eventually brought about amelioration of penal conditions. Most famously, Chekhov broke with his longtime friend, patron, and editor Suvorin over Suvorin's support of Alfred Dreyfus's conviction for espionage in France and opposed the anti-Semitic stance taken by Suvorin's paper New Times.

From the 1880s until his death, Chekhov suffered from tuberculosis, a disease that necessitated his move in 1898 from a small estate (purchased in 1892) outside Moscow to the milder climate of Yalta in the Crimea. He also spent time on the French Riviera. Finally in 1904 he went to Germany in search of treatment and died in Badenweiler in southern Germany in July of that year.

See also: moscow art theater; suvorin, alexei sergeyevich; thick journals

bibliography

Heim, Michael Henry, and Karlinsky, Simon, tr. (1973). Anton Chekhov's Life and Thought: Selected Letters and Commentary. Berkeley: University of California Press.

Rayfield, Donald. (1998). Anton Chekhov: A Life. New York: Henry Holt.

Simmons, Ernest J. (1962). Chekhov: A Biography. Boston: Little, Brown.

Andrew R. Durkin