Kickapoo
KICKAPOO
KICKAPOO. The exact origins of the Kickapoo re-main uncertain, though tribal tradition tells of their separating from the Shawnee after a dispute over a bear's foot. Equally unknown is the meaning of "kiikaapoa," the name Kickapoo call themselves. The Kickapoo have maintained a marked independence from outside influences. To this day, they remain an exceptionally conservative people, as evidenced by their reluctance to marry outside the tribe. In addition to the Shawnee, the Kickapoo are strongly related to the Miami, Sauk, Fox, and especially the Mascouten.
The Kickapoo reckoned kinship patrilineally, and were organized into clans bearing the names of animals. They also had a Berry clan and a Tree clan, though clans named after plants were unusual in most tribes. Leaders from the clans formed a council, which governed along with a hereditary chief, usually from the Eagle clan. Women sometimes acted as chiefs, although in a religious, not political, role. By the 1950s, traditional organization became largely ceremonial, and matrilineal chiefs were acceptable. Kickapoo religion centers on relations with several important deities, including Creator, the four winds, the sky, moon, sun, stars, and earth.
Kickapoo women provided much of the tribe's food through agriculture and gathering. Men hunted and fished. Hunting and gathering are still important to a band of Kickapoo who settled in Mexico. Women also constructed the rectangular, bark-over-pole lodges in Kickapoo villages, and made clothing.
The Kickapoo migrated frequently both before and after encountering Europeans. They first met the French in the mid-seventeenth century when they lived in southern Wisconsin, and initially resisted any attempted control by France. Kickapoo hostility against the French increased in the 1680s, as they blamed French influence for Iroquois and Siouan invasions. The Kickapoo also fought France's Illinois allies, though their longest standing enemies were the Chickasaw and the Osage.
Kickapoo-French relations improved considerably in 1729, and they joined France for a time in the war against the Fox. The Kickapoo remained allied to France, and also the Spanish, even after France's surrender to England in 1763. They joined Pontiac's war against the English in 1763–1764. In the late 1760s they, along with the Potawatomi, Ottawa, and Chippewa, drove the Illinois tribes from the Illinois River, and the Kickapoo moved into central Illinois. During the American Revolution (1775–1783) the Kickapoo were largely neutral or even pro-American, until American land hunger led them to side with Britain. They joined the Miami's confederacy against the Americans in the 1790s, and for years after the Treaty of Greenville (1795) refused to even pick up their annuities from the United States.
Never a huge tribe, the Kickapoo combined with the Mascouten (whom they gradually absorbed) to number only about 2,250 people in 1700, and 1,500 by 1750. In the latter half of the eighteenth century, the Kickapoo divided into two principal bands, about equal in size. The Prairie Kickapoo lived in central Illinois, while the Vermilion Kickapoo inhabited the western fringes of the Wabash River Basin, between modern Danville, Illinois, and Lafayette, Indiana. After 1800, small groups also migrated west of the Mississippi River. The Vermilion Kickapoo became fierce adherents to Tenskwatawa (the Shawnee Prophet) and Tecumseh. The Prairie Kickapoo joined the Vermilion Band against the United States during the War of 1812 (1812–1815). Even after 1815, some Kickapoo resisted further American settlement. By 1819, however, both bands ceded their lands in Illinois and Indiana, and were ordered west in 1832. The last holdouts went west in 1834. By the twentieth century, the Kickapoo had three main bands in Kansas, Oklahoma, and Mexico, numbering 185,247, and approximately 400, respectively.
BIBLIOGRAPHY
Gibson, A. M. The Kickapoo: Lords of the Middle Border. Norman: University of Oklahoma Press, 1963.
Trigger, Bruce G., ed. Handbook of North American Indians, vol. 15 Northeast. Washington, D.C.: Smithsonian Institution, 1978.
Robert M. Owens
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Rare burgundy; Travel.
Newspaper article from: The Evening Standard (London, England); 2/2/2004; 700+ words
; ...offers great works of European art by artists of whom most visitors will never have heard and certainly never have seen - Claus Sluter and Melchior Broederlam among them - as well as acre after acre of truly dreadful provincial French painting. Survivals...
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Italienische Fruhrenaissance und nordeuropaisches Spamittelalter: Kunst der fruhen Neuzit im europaischen Zusammenhang.
Magazine article from: Renaissance Quarterly; 3/22/1996; ; 700+ words
; ...Jacopo della Quercia's Tomb of Ilaria del Carretto in Lucca cathedral upon such earlier Franco-Flemish monuments as Claus Sluter's Tomb of Philip the Bold, Duke of Burgundy formerly in the Chartreuse de Champmol in Dijon. Here, however, Jacopo...
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Art of the Western World.
Magazine article from: National Review; 12/8/1989; ; 700+ words
; ...s David, Rembrandt's self-portraits, and Pollock's Lavender Mist. It's all there, and some works, like Claus Sluter's sculpted Well of Moses (c. 1400), or Tiepolo's murals at Wurzburg (c. 1750), have been chosen with a judiciousness...
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Sculpture: The Great Art of the Middle Ages from the 5th to the 15th Century.
Magazine article from: National Review; 12/17/1990; ; 648 words
; ...style expand and change, only to yield, in turn, to the far greater naturalism of the Gothic sculptures of Chartres, Claus Sluter's uncannily realistic statuary in Dijon, and the humanistic classicism implicit in Giovanni Pisano's pulpit in...
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The Northern Renaissance: a new survey of north European art in the fifteenth and sixteenth centuries is admirably ambitious in scope, but ducks some fundamental issues.(Book Review)
Magazine article from: Apollo; 1/1/2005; ; 700+ words
; ...as 'Court Art and the Ars Nova', deal with late-fourteenth and early-fifteenth-century works by the likes of Claus Sluter, the Limbourg brothers and Jan van Eyck, whilst later chapters, such as 'Prints and Printmaking' and 'The Reformation...
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Magazine article from: Newsweek; 6/19/2000; ; 700+ words
; ...shapes was originally inspired by a form he saw on the 15th-century sarcophagus of Philip the Bold in Dijon, carved by Claus Sluter. What makes such swoopy shapes buildable is a computer program, used in the Bilbao project, that precisely plots...
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Newspaper article from: The Independent on Sunday; 7/13/2003; ; 700+ words
; ...the same time. In earlier interviews, Gehry has mentioned that he admires the work of 14th century Flemish artist Claus Sluter and the Rennaisance painter Giovanni Bellini. With this in mind, the waves of stainless steel could be the folds of...
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Claus Sluter
Encyclopedia entry from: Encyclopedia of World Biography
Claus Sluter The Dutch-Burgundian sculptor Claus Sluter (ca. 1350-1405/1406) was the most important northern...He is considered a pioneer of "northern realism." Claus Sluter was born in Haarlem. Records indicate that by 1380 he...
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Sluter, Claus
Book article from: The Oxford Dictionary of Art
Sluter, Claus ( b Haarlem, c. 1350; d Dijon...the work on it was carried out by Sluter's nephew and assistant Claus de Werve ( d 1439), but the figures...the concentrated emanation of Claus Sluter's style which we mean when we...
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Claus van de Werve
Book article from: The Columbia Encyclopedia, Sixth Edition
Claus van de Werve , d. 1439, Flemish sculptor. The nephew and student of Claus Sluter , Werve succeeded his uncle as chief sculptor to Philip the Bold, whose tomb he designed. His squat, chunky figures were close in style to Sluter's.
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Werve, Claus de
Book article from: The Oxford Dictionary of Art
Werve, Claus de. See Sluter .
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Baerze, Jacques de
Book article from: The Oxford Dictionary of Art
...Gothic framework, make a strong contrast with the solidly three-dimensional style of his great contemporary Claus Sluter . However, Sluter was part of the committee that judged the altarpieces favourably.
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