Garrison, William Lloyd (1805-1879)
William Lloyd Garrison (1805-1879)
Sources
Abolitionist, reformer
Dedication to the Cause. Garrison was born on 10 December 1805 in Newburyport, Massachusetts, to a poor family. When he was thirteen he became a printer’s apprentice, leading to a career in journalism. At twenty-one he was coeditor of the temperance paper, the National Philanthropist, that brought him into contact with other reform movements. The Quaker abolitionist Benjamin Lundy convinced him to devote his energies to abolitionism in 1828, and Garrison helped Lundy edit the antislavery paper Genius of Universal Emancipation, which promoted the colonization of freed slaves in Africa.
Leader. Soon Garrison came to reject colonization as an effective method of emancipation, and he broke with Lundy to form his own abolitionist paper, The Liberator. In his new paper Garrison called for immediate emancipation of the slaves without compensation for their owners. He also adopted a militant tone that gained him such notoriety that in the South rewards were offered for his capture and delivery to stand trial. “On this subject I do not wish to think, speak, or write with moderation,” he wrote in the first issue of The Liberator. “I am in earnest—I will not equivocate—I will not excuse—I will not retreat a single inch—and I WILL BE HEARD.” Through his writing and his leadership in the American AntiSlavery Society, Garrison became the most prominent spokesman for the abolitionist cause. When he visited England in 1833 British abolitionists welcomed him as the leader of the movement in America. But back home many other abolitionists disapproved of his extreme rhetoric, which often provoked mob violence. Others within the American Anti-Slavery Society disagreed with his insistence that moral suasion to change the hearts of individuals was the only route to ending slavery and favored direct political action. The society split in 1840, with Garrison and his followers maintaining control of the weakened organization.
Reformer. In addition to his commitment to abolition Garrison supported other reforms such as temperance and women’s rights. His advocacy of the latter was so strong that he refused to participate in the World AntiSlavery Convention in London in 1840 when women were barred from participation. Garrison believed that the equal rights of women were necessary in the fight to abolish slavery, a position that lost him many of his followers. “Garrisonianism” became a general term for radical reform, pressing well beyond the bounds with which most Americans were comfortable. After the passage of the harsh Fugitive Slave Act of 1850, however, Garrison’s position suddenly seemed less radical. By 1859, when other prominent abolitionists were lionizing John Brown for his attempt to start a slave uprising, Garrison only reluctantly supported Brown’s violent action; the radicalism of the movement had gone beyond that of the man who had once burned a copy of the Constitution for its tacit endorsement of slavery.
End of the Fight. When the Thirteenth Amendment, outlawing slavery, was passed in 1865, Garrison ceased publication of The Liberator, feeling that the fight against slavery was over. But he continued to battle for equal rights for African Americans and women until his death in 1879 at the age of seventy-three.
Walter M. Merrill, Against the Wind and Tide: A Biography of William Lloyd Garrison (Cambridge, Mass.: Harvard University Press, 1963);
Russel B. Nye, William Lloyd Garrison and the Humanitarian Reformers (Boston: Little, Brown, 1955).
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Shaw, Jennifer L. Dream States: Puvis de Chavannes, Modernism, and the Fantasy of France.(Book Review)
Magazine article from: Nineteenth-Century French Studies; 3/22/2004; ; 700+ words
; Shaw, Jennifer L. Dream States: Puvis de Chavannes, Modernism, and the Fantasy of France. New Haven...08382-3 At the time of his death in 1898, Pierre Puvis de Chavannes was the most broadly accepted of artists in France...
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The lost father of Modernism? The washed-out compositions of Puvis de Chavannes were once a byword for insipid classicism. Now he is being hailed as a precursor of modern art. But does a show at the National Gallery strengthen his claim?
Newspaper article from: The Independent - London; 8/6/2002; ; 700+ words
; Puvis: if the name doesn't trip off...has been taking another turn, and Pierre- Cecile Puvis de Chavannes (1824-1898) - Puvis for short...exhibition in Venice - called From Puvis de Chavannes to Matisse and Picasso: Toward Modern...
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Culture: Reviews: Barber puts its pride on show; Puvis de Chavannes: The Beheading of Saint John the Baptist Barber Institute.(Features)
Newspaper article from: The Birmingham Post (England); 6/10/2002; 700+ words
; ...Terry Grimley At first sight, Pierre-Cecil Puvis de Chavannes (1824-1898) looks like a...the Baptist which preoccupied Puvis in the late 1860s. Both are...images of 19th century art: Puvis de Chavannes' The Beheading of Saint John...
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Art: Puvis de chavannes
Newspaper article from: The Independent - London; 7/20/2002; ; 328 words
; Around 150 years ago, Pierre-Cecile Puvis de Chavannes was convalescing in Italy when...and Hotel de Ville in Paris. Chavannes was fascinated by the story...plate. This week, two of Chavannes' versions - one from the National...
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There's a beauty in barbarity; Art.(Review)
Newspaper article from: The Mail on Sunday (London, England); 8/25/2002; ; 700+ words
; Byline: PHILIP HENSHER Puvis de Chavannes: The Beheading Of Saint John The Baptist National...hear the first stirrings of Hitler's bloodlust. Pierre Puvis de Chavannes' Beheading Of Saint John The Baptist is one of...
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LITERARY LUSTER
Newspaper article from: The Boston Globe; 5/7/1995; ; 700+ words
; ...part of a large wall mural by Pierre Puvis de Chavannes. The mural, 20 feet high...along with eight others by Puvis de Chavannes, which use classical images...its $16 million goal. The Puvis de Chavannes murals were painted on canvas...
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In Arcadian vision, the seeds of modern art
Newspaper article from: International Herald Tribune; 2/23/2002; ; 700+ words
; 00-00-0000 Pierre Puvis de Chavannes was unusual in the annals of commercially...Grassi' s latest show, ''From Puvis de Chavannes to Matisse and Picasso: Toward...scratching their heads and saying ''Puvis de Who?''However, the thesis...
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Infleuncing the course of painting
Magazine article from: The Spectator; 3/30/2002; ; 700+ words
; ...century painting was none other than Pierre Puvis de Chavannes (1824-98). All 36 rooms of...and simplified compositions, Puvis liberated the human figure from...the catalogue does, proposing Puvis as patriarch, an Abraham...
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Margaret Werth. The Joy of Life: the Idyllic in French Art, circa 1900.(Book Review)
Magazine article from: Utopian Studies; 1/1/2003; ; 700+ words
; ...French painters: the symbolist Pierre Puvis de Chavannes, the neo-impressionist Paul...multi-figure landscape by each: Puvis's L'ete (Summer) of 1891...what extent the vocabularies of Puvis, Signac, and Matisse, in particular...
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Bloodless but vital Art
Newspaper article from: The Sunday Telegraph London; 8/25/2002; ; 700+ words
; ...especially in this country - Pierre-Cecile Puvis de Chavannes. And yet he had a profound...Baptist (until October 27) - Puvis de Chavannes was the hidden factor in...wanted to be modern too. Puvis de Chavannes was the bridge between the...
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Pierre Puvis de Chavannes
Encyclopedia entry from: Encyclopedia of World Biography
Pierre Puvis de Chavannes Pierre Puvis de Chavannes (1824-1898) occupied a unique position in 19th-century French painting: he was one of the few academic painters whose work was deeply admired by the avant-garde artists of his day. Born...
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Chavannes, Pierre Puvis de
Book article from: The Oxford Dictionary of Art
Chavannes, Pierre Puvis de. See Puvis de Chavannes .
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Puvis de Chavannes, Pierre
Book article from: The Oxford Dictionary of Art
Puvis de Chavannes, Pierre ( b Lyons, 14 Dec. 1824; d Paris, 24 Oct. 1898). The foremost French mural painter of the second half of the 19th century...
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Valadon, Suzanne
Encyclopedia entry from: Encyclopedia of World Biography
...she caught the eye of painter Pierre Puvis de Chavannes. This began Valadon's career...Valadon posed for several of Puvis's paintings and was presumed...paintings featuring Valadon include Puvis's 1884–1886 piece...
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Biennale
Book article from: A Dictionary of Twentieth-Century Art
...x2013;1911), Max Liebermann , and the French Symbolist painters Gustave Moreau (1826–98) and Pierre Puvis de Chavannes (1824–98). The exhibition soon acquired world-wide prestige, and after it resumed in 1948 following...
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