Affecting authenticity: Sonnets from the Portuguese and Modern Love. Studies in the Literary Imagination | September 22, 2002| | COPYRIGHT 2002 Georgia State University, Department of English. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information) Copyright

The title of this essay should be read in two ways: as both Victorian and contemporary critics have acknowledged, both Elizabeth Barrett Browning's Sonnets from the Portuguese (1850) and George Meredith's Modern Love (1862) has a powerful emotional effect on readers. This emotional power seems to derive from authentic human experiences and feelings, a power that in Victorian criticism often was linked to the person of the writer: Barrett Browning's sequence was said to contain "genuine utterances right from her own `brain-lit heart'" (Rev. of Poems, qtd. in Donaldson 49), and ...

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