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Racial violence, "primitive" music, and the blues entrepreneur: W. C. Handy's Mississippi problem. (Essay).(Critical Essay)
From:
Southern Cultures
| Date:
September 22, 2002| Author:
| COPYRIGHT 2002 University of North Carolina Press. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
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Composer of the best-selling "Memphis Blues" and "St. Louis Blues," author of an autobiography titled Father of the Blues (1941), W. C. Handy (1873-1958) has a curious place in the history of American blues music. He was not, after all, a bluesman; he was a pre-jazz cornetist and bandleader, a skilled sight-reader and arranger who plied his trade on the black minstrel-show circuit of the 1890s. Educated to be a schoolteacher, a member of Florence, Alabama's, black elite, Handy scandalized his family, at least at first, with his willful class descent into show business. "A box," ...
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